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THREE:The best feature of "All the Talents" was the sincerity with which they went into the endeavours to suppress the Slave Trade. Pitt had always stood by Wilberforce and the abolitionists, to a certain degree, and had made some of his ablest speeches on this topic; but beyond speaking, he had done little practically to bring his supporters to the necessary tone on the subject. The present Ministry, though comprising several members decidedly hostile to abolition, and other mere lukewarm friends, went with much more spirit into the question, and Lord Henry Petty had canvassed the University of Cambridge, and made many friends of the measure there. The Royal Family were decided opponents to the abolition of the Slave Trade. The Ministry, therefore, deserved praise for their support of Wilberforce and the abolitionists. Clarkson and the Society of Friends had been working indefatigably out of doors to great purpose, and it was now deemed possible to make a preparatory assault on the trade. On the 1st of January the Attorney-General brought in a Bill to prohibit the exportation of slaves from any of the British colonies. This, though it permitted the direct transport of slaves from Africa to those colonies, or to foreign colonies, cut off the convenience of making our islands dep?ts for this trade; and Pitt had already, by an Order in Council, prevented the introduction of slaves into the colonies conquered by us during the war. Wilberforce was so elated by the carrying of the Attorney-General's Bill that he wanted to follow it up by one prohibiting the trade altogether; but Fox and Grenville declared that this was not yet practicable. But on the 10th of April they permitted Wilberforce to move an address to the king, requesting him to use his influence with Foreign Powers for putting down this traffic; and this being carried, Fox moved, in the Commons, a resolution that the House considered the African Slave Trade to be contrary to the principles of justice, humanity, and sound policy, and would, with all practicable expedition, proceed to take effectual measures for its abolition, in such manner and at such period as should seem advisable. This, too, was carried by a hundred and fifteen against fourteen. This was a great step, for it pledged the House of Commons to the declaration that the trade was indefensible, and ought to be put an end to. Still more, to prevent that rush for securing slaves which the fear of the suppression of the trade, at no distant date, might occasion, a Bill was also passed, prohibiting the employment of any vessel in that trade which had not trafficked in it previous to the 1st of August, 1806, or been contracted for before June 10th, 1806. This Act was limited to two years, and, in spite of its benevolent intention, had one serious drawback��that of causing the vessels employed to be still more crowded, and therefore more fatal to the slaves.He first published an engraving of "The Small Masquerade Ticket, or Burlington Gate," in ridicule of Lord Burlington's architecture, and of Pope's eulogiums on Burlington and satire of the Duke of Chandos. He illustrated "Hudibras," and produced a satirical plate, "The Taste of the Times," in 1724; and, some years after, "The Midnight Conversation" and "Southwark Fair." Not content with the fame which this vein, so peculiarly his own, was bringing him, he had the ambition to attempt the historical style, but this was a decided failure. In 1734, however, he came out in his full and peculiar strength in "The Harlot's Progress." The melancholy truth of this startling drama, mingled with touches of genuine humour, seized at once on the minds of all classes. It became at once immensely popular; it was put on the stage, and twelve hundred subscriptions for the engravings produced a rich harvest of profit. In the following year he produced "The Rake's Progress," which, though equally clever, had not the same recommendation of novelty. In 1744 he offered for sale the original paintings of these subjects, as well as "The Four Times of the Day," and "The Strolling Actresses Dressing in a Barn;" but here he felt the effects of the sturdy English expression of his sentiments on art, and his distributing of an engraving of "The Battle of the Pictures," as a ticket of admission, gave great offence to painters and their patrons. The whole sum received was only four hundred and twenty-seven pounds. Undaunted by his self-injuring avowal of his opinions, he offered in 1750 the pictures of "Marriage �� la Mode" for sale, but put forth an advertisement in such caustic terms, as he reflected on the result of his former auction, that he effectually kept away purchasers, and obtained only a hundred and twenty pounds for what Mr. Angerstein afterwards gave a thousand pounds for. His "March to Finchley" being sent for the royal inspection, so impressed George II. with the idea that it was a caricature of his Guards, that, though the engraving of it was dedicated to him, he ordered the picture out of his sight, with expressions of great indignation. Hogarth quietly substituted the name of the King of Prussia in the dedication, as "an encourager of the arts."

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