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Grassini had sung at her London parties, and comparing these two great singers and actresses��both young, beautiful, and celebrated��Mme. Le Brun found that although the voice of Catalani was in its beauty and compass one of the most extraordinary ever known, Grassini had more expression.

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The lines are as follows, and refer to a chateau then being built by Louis for the Marquise de [6] Pompadour, whose original name was Jeanne Antoinette Poisson:

ONE:Capital letter W TWO:

ONE:The Duc d��Ayen, though always retaining a deep affection for his wife, spent a great part of his time away from her. He was one of the most conspicuous and brilliant figures at the court, and besides entering eagerly into all its pleasures, dissipation, and extravagance, was a member of the Academy of Science; and although by no means an atheist or an enemy of religion, associated constantly with the ��philosophers,�� whose ideas [164] and opinions he, like many of the French nobles in the years preceding the Revolution, had partly adopted, little imagining the terrible consequences that would result from them.

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THREE:At last they went away, but in a few moments two of them whose appearance was different from the rest returned and said��

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THREE:She had long renounced and repented of her proceedings of former days, and was now extremely royalist, but the daughter of Marie Antoinette was not likely to receive one who had been, if not implicated, at any rate hand-and-glove with the enemies of her mother.[273]

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THREE:It is easy to see that the present state of affairs in France offered the most dangerous and the strongest temptation to private vengeance. Any one who had an enemy or who had been offended by any one else, or even who wished to remove some person whose existence was inconvenient to them, had only to ��denounce�� them for some trifle which they might or might not have said or done; they were sure to be arrested, and most likely to be put to death.Severe as was her loss to Pauline a more terrible calamity happened to her in 1824, in the death of her only son Attale, who was killed by an accident when out shooting, leaving a young wife and children to her care.

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ONE:The year 1765 witnessed the death of the Dauphin, and soon after that of the Dauphine, who was broken-hearted at his loss. The Dauphin died of a wasting illness, to the great grief of the King, who stood leaning against the doorway of [179] his son��s room, holding by the hand the Duc de Berri, until all was over. Then, turning away, he led the boy to the apartment of the Dauphine to acquaint her with what had happened, by giving the order to announce ��the King and Monseigneur le Dauphin.�� [69]

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THREE:��Monsieur de Chalabre, I wish to know why you took from the game to-night a rouleau of fifty louis?��

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THREE:as she sang these words she laid her hand upon [61] her heart and, turning to the Queen��s box, bowed profoundly. As this was in the beginning of the Revolution, there were many who wished to revenge themselves in consequence, and tried to force her to sing one of the horrible revolutionary songs which were then to be heard constantly upon the stage. She refused indignantly, and left the theatre. Her husband, Dugazon, the comic actor, on the contrary, played an atrocious part during the Revolution. Although he had been loaded with benefits by the royal family, especially the Comte d��Artois, he was one of those who pursued them to Varennes. Mme. Le Brun was told by an eye-witness that he had seen this wretch at the door of the King��s carriage with a gun upon his shoulder.

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THREE:��No.��

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THREE:For the Duc d��Orl��ans was aiming at the crown, and it is impossible to believe Mme. de Genlis was [414] not aware of it. He suggested to the Queen that Madame Royale should be married to his eldest son, which proposal Marie Antoinette decidedly refused, remarking afterwards that to marry her daughter to the Duc de Chartres would be to sign the death warrant of her son. [120]They were all, during their early youth, rather afraid of their father, of whom they saw so little that he was a stranger to them in comparison with the mother they all adored, who, exalted as were her religious principles, austere and saintly her rule of life, yet knew how to gain her children��s confidence [185] and affection, and understood thoroughly their different characters and tendencies. People wondered at the goodness of Mme. d��Ayen��s children, and it was remarked that the Duchess ��had brought up a company of angels.��

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ONE:With the deepest reluctance Louis XVIII. yielded to what he was assured to be an absolute necessity and allowed, as Napoleon had found it necessary to allow, more than one even of the regicides, who had survived and were powerful, to hold office during his reign. Their powerful support was declared to be indispensable to the safety of the monarchy, and the union of parties which he hoped to achieve.

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FORE:She also met an acquaintance, M. Denon, who introduced her to the Comtesse Marini, of whom he was then the cavali��re servente; and who at once invited her to go that evening to a caf��.She and Mme. de la Fayette used also to visit the prisons, which in those days required no little courage, owing to the squalor, cruelty, and misery with which they were thus brought into contact.

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FORE:If T��r��zia had been in immediate danger she would have been sent to the Conciergerie, which was looked upon as the gate of the guillotine; and she knew that the important thing was to gain time. Many had thus been saved; amongst others Mlle. de Montansier, formerly directress of a theatre. She was imprisoned in the Abbaye, and was condemned with a number of others to be guillotined on the following day.

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Pauline never cared much for society, and her tastes were not sufficiently intellectual to enable her to take much part in the brilliant conversation or to enter with enthusiasm into the political ideas and principles discussed at the various houses to which she went with Mme. de Bouzolz, who did not trouble herself about philosophy or ��ideas��; and M. de Beaune, who was a strong Conservative, and held revolutionary notions in abhorrence.Mme. de Genlis lived to see her great-grandchildren, and also to see her pupil, the Duc de Orl��ans, upon the throne. She had never, of course, again the life of riches and splendour which for many years she had enjoyed; but she was philosophical enough not to trouble herself much about that; she had the interest of her literary pursuits, a large circle of acquaintances, the affection of her family and of her adopted children. Alfred turned out extremely well, and Casimir made an excellent marriage, settled at Mantes and devoted himself to good works, so that his adopted mother said his [485] household was saintly. She was always welcome there.The marriages of her daughters which had so delighted her ambition, had not brought her all the happiness she expected.When she had painted the head and sketched out the arms and figure, Mme. Le Brun was obliged to go to Paris. She intended to come back to finish her work, but she found the murder of Foulon and Berthier had just taken place, and the state of [77] affairs was so alarming that her one object was to get out of France. The portrait fell into the hands of Count Louis de Narbonne, who restored it to her on her return��when she finished it.He was not, however, to live to see the realisation of his fears. Not much more than a year after Lisette��s return from her convent, a terrible calamity befell her in the loss of the father whose love and protection had made the sunshine of her life, and by whose death her lot was entirely changed and her happiness ruined.

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