ONE:

ONE:The figure stopped with startling suddenness, but offered no explanation.Life on a steamship at sea has many peculiarities. The ship is a world in itself, and its boundaries are narrow. You see the same faces day after day, and on a great ocean like the Pacific there is little to attract the attention outside of the vessel that carries you. You have sea and sky to look upon to-day as you looked upon them yesterday, and will look on them to-morrow. The sky may be clear or cloudy; fogs may envelop you; storms may arise, or a calm may spread over the waters; the great ship goes steadily on and on. The pulsations of the engine seem like those of the human heart; and when you wake at night, your first endeavor, as you collect your thoughts, is to listen for that ceaseless throbbing. One[Pg 53] falls into a monotonous way of life, and the days run on one after another, till you find it difficult to distinguish them apart. The hours for meals are the principal hours of the day, and with many persons the table is the place of greatest importance. They wander from deck to saloon, and from saloon to deck again, and hardly has the table been cleared after one meal, before they are thinking what they will have for the next. The managers of our great ocean lines have noted this peculiarity of human nature; some of them give no less than five meals a day, and if a passenger should wish to eat something between times, he could be accommodated.

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One of the most interesting street sights of their first day in Pekin was a procession carrying a dragon made of bamboo covered with painted paper. There was a great noise of tom-toms and drums to give warning of the approach of the procession, and there was the usual rabble of small boys that precedes similar festivities everywhere. The dragon was carried by five men, who held him aloft on sticks that also served to give his body an undulating motion in imitation of life. He was not pretty to look upon, and his head seemed too large for his body. The Chinese idea of the dragon is, that he is something very hideous, and they certainly succeed in representing their conception of him. Dr. Bronson explained that the dragon was frequently carried in procession at night, and on these occasions the hollow body was illuminated, so that it was more hideous, if possible, than in the daytime.She had the satisfaction��and that made her step the more briskly and gave the sunshine this mysterious power of exhilaration��of knowing that she was serving and supplying. She loved the knowledge that never had Keeling��s typewriting been done for him so flawlessly, that never had the details of his business, such as came{195} within her ken, been so unerringly recorded. He might ask for the reference to the minutest point in a month-old letter, and she could always reinforce his deficient memory of it, and turn up the letter itself for confirmation of her knowledge. When days of overwhelming work had occurred, and he had suggested getting in a second typewriter to assist her, she had always, with a mixture of pride in her own efficiency, and of jealousy of a helping hand, proved herself capable of tackling any task that might be set her. Probably she could not have done it for any one else, but she could do it for him. It was easier, so she told herself, to do his work herself, than to instruct anybody else what to do. She allowed herself just that shade of self-deception, knowing all the time that there were plenty of ��routine�� letters that any one else could have done as well as she. But she did not want anybody else to do them."Easier to get away, you think?" I asked, with a worse frown than ever, as he stepped into the carry-all and took the lines.