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THREE:"Three or four cormorants and a raft are necessary in this way of fishing. The cormorants are stupid-looking birds about the size of geese, but are of a dark color, so that they cannot be readily seen by the fish. The raft is of bamboo logs bound together, and about three feet wide by twenty[Pg 347] in length. The fisherman is armed with a paddle for propelling his raft and a scoop-net for taking the fish after they have been caught by the cormorant, and he has a large basket for holding the fish after they have been safely secured. Each cormorant has a cord or ring around his neck to prevent him from swallowing the fish he has taken, and it is so tight that he cannot get down any but the smallest fish."But the artists do not confine themselves to porcelain; they do a great deal of enamelling on metal, and some of their productions in this way are quite as interesting as their enamelling on porcelain. They did not invent the art, so it is said, but borrowed it from the Chinese, who had in their turn borrowed it from Persia or some other of the Central Asiatic countries. Some of the Japanese artists claim that the art was borrowed from their country, but the most of those who have studied the subject say that this claim is incorrect. But no matter who invented the process,[Pg 246] it is very beautiful and is of great antiquity; it is capable of a great many variations, and, although it has been in use for centuries, hardly a year passes without some improvements in it. In making the metal enamels the strips of brass are soldered to the surface and the cavities are filled up with the liquid coloring. The whole is then baked as in the porcelain process, and the surface of the work is carefully polished until all the lines are fully developed and the completed article shines like glass.

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