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The guards' band played Indian tunes, to a measure I could not yet catch, and Strauss' waltzes very oddly accented. Suddenly the princess appeared,[Pg 84] in soft rose-pink lightly touched with blue. She wore a pearl necklace with slides of ruby and emerald, shoes thickly worked with gold, and a broad pink sash somewhat darker in colour than her silver-striped tunic.The natives here were an even finer race than those at Peshawur, and more uncultured, never bowing when we met them, but eyeing us as we passed as if they were meditating some foul blow.
ONE:At our feet lay old Gwalior, sacked again and again, and as often rebuilt out of its own ruins;[Pg 202] and now the princely residences, all of marble wrought in almost transparent lacework, serve to shelter wandering cattle.

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TWO:We met a native on horseback; a pink turban and a beard also pink, with a round patch of intensely black skin about his mouthwhite hair dyed with henna to make it rose-colour; and a lock of hair that showed below his turban was a sort of light, dirty green in hue, like a wisp of hay. The rider, well mounted on his horse, was deeply contemptuous of us, sitting in an ekkathe vehicle of the vulgar; and he passed close to us[Pg 268] muttering an insult in his pink beard trimmed and combed into a fan.

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  • FORE:Under the cool shade of evening, the softening[Pg 44] touch of twilight, all this sculptured magnificence assumes an air of supreme grandeur, and calls up a world of legends and beliefs till the temples seem to recede, fading into the vapour of the blue night.

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  • FORE:"Pan, sahib!""Water, sir!"

    Donec sit amet ligula enim. Duis vel condimentum massa. Maecenas eget congue dui.

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  • FORE:A Mohammedan funeral now. The body was in a coffin, covered with red stuff, sparkling with gold thread. The bearers and mourners chanted an almost cheerful measure, as they marched very slowly to the[Pg 24] burial-ground by the seaside, where the dead rest under spreading banyans and flowering jasmine.At one corner of a bastion of the rampart rises the Jasmine tower, the empress's pavilion, built of amber-toned marble inlaid with gold and mother-of-pearl. A double wall of pierced lattice, as fine as a hand-screen, enclosed the octagon chamber; the doors, which were of massive silver jewelled with rubies, have been removed. The golden lilies inlaid in the panels have also disappeared, roughly torn out and leaving the glint of their presence in a warmer hue, still faintly metallic. Recesses in the wall, like porticoes, served for hanging dresses in, and low down, holes large enough to admit the hand, were hiding-places for jewels, between two slabs of marble. In front of the sultana's kiosk, basins in the form of shells, from which rose-water poured forth, go down like steps to a tank below.

    Donec sit amet ligula enim. Duis vel condimentum massa. Maecenas eget congue dui.

  • FORE:Behind a ponderous wall, dinted all over by shot, and showing broad, light patches once covered by earthenware tiles, is the palace of Runjeet Singh, inlaid with enamelled pictures in green, blue, and yellow of tiger-fights and horse-races, mingling with flowers and garlands of boughs. The durbar, the hall or presence chamber, opens by a verandah on a forecourt paved with marble; in its walls are mirrors and panels of coloured glass over a ground of dull gold, agate-like tints iridescent with a nacreous, silvery, luminous lustre.At a short distance from Toglackabad, on a solitary rock, stands a square building of massive architecture, sober in outline, and crowned by a stone dome. It dwells alone, surrounded by walls; the mausoleum of Toglack, containing his tomb with that of his wife and his son, Mohammed the Cruel.

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  • FORE:

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  • FORE:

    Donec sit amet ligula enim. Duis vel condimentum massa. Maecenas eget congue dui.

THREE:

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THREE:We drove across a succession of parks to visit[Pg 175] Sumer Mundir, a too elaborately carved temple, the panels representing scenes from the Ramayana set in ornamental borders. On the roof, which bristled with sculptured stone, thousands of blue pigeons were perched asleep, their iridescent plumage scarcely stirring in the sunshine. Beyond a tank at the end of the park was a palace in the Arab style with incredibly delicate ornaments of wrought marble, open halls painted in subdued colouring, and lighted by the golden reflections from the water. The pool had steps all round it, in which crowds seat themselves on the occasions of pilgrimage, and far away the enchanting vision of Benares, the holy city, in every shade of amber and honey.We visited a temple where the natives treasure the couch of the Guru Ram-Roy, a very holy and much venerated fakir.

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THREE:From Kusshalgar we were travelling in a tonga once more. The landscape was all of steep hills without vegetation; stretches of sand, hills of claylilac or rosy brick-earth scorched in the sun, green or brown earth where there had been recent landslips, baked by the summer heat to every shade of red. There was one hill higher than the rest, of a velvety rose-colour with very gentle undulations, and then a river-bed full of snowy-white sand, which was salt.One of my sepoys was lying asleep in the [Pg 82]verandah of the bungalow. A variety of articles hung from his belt: an antelope's horn made into a powder-flask, several tassels of red and green silk threaded in a row, a triple chain of copper serving to hang up lamps in front of the sacred images, a small damascened knife in a crimson velvet sheath, and a tiny yellow earthenware bottle containing kohl.

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ONE:
FORE:The song of birds in the mitigated atmosphere of the dying day came in from outside, for a moment almost drowning the pleader's weariful tones as he poured forth his statement, emphasized by sweeping gestures.

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TWO:But for once he was mistaken.

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99 
TWO:
THREE:Another sanctuary holds an idol made of seven metals mingled to a pale golden hue. The statue is loaded with jewellery of silver and precious stones. On its head is a fan-shaped diadem starred with rubies. The walls and columns, of a dull purple, are decorated with gaudy mosaic of scraps of looking-glass set in brass along the lines of the mouldings. THREE:One of the police in charge had a whip, and when he was leading away the old man, holding his chain he "played horses" with him, to the great amusement of the bystanders, and even of the old fellow himself. THREE:
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A salesman of whom I had bought several things, wishing to do me a civility, called a tom-tom player, who was to escort me home rapping on his ass's[Pg 215] skin; and when I declined very positively, the poor man murmured with a piteous, crushed look:Next came a long file of carts, conveying cases of goods "made in Manchester," or loaded, in unstable equilibrium, with dry yellow fodder like couch grass, eaten by the horses here; and they struggled along the road which, crossing the limitless plain, appeared to lead nowhere.GARHI
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