ONE:Leona Lalage fell back with a faint cry. Just for a moment she covered her eyes with her hands. Lalage stood like a statue. He smiled, but there was nothing of mirth in it.
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ONE:When we came to Jumet, a suburb of Charleroi, and a prosperous place with flourishing factories, we found the whole town wrecked.... Nearly all the houses were burned immediately after the occupation by the Germans, and many inhabitants were killed, of course under the pretext that they had been shooting.
ONE:When we came to Jumet, a suburb of Charleroi, and a prosperous place with flourishing factories, we found the whole town wrecked.... Nearly all the houses were burned immediately after the occupation by the Germans, and many inhabitants were killed, of course under the pretext that they had been shooting.
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ONE:The glowing enthusiasm of Plato is, however, not entirely derived from the poetic traditions of his native city; or perhaps we should rather say that he and the great writers who preceded him drew from a common fount of inspiration. Mr. Emerson, in one of the most penetrating criticisms ever written on our philosopher,129 has pointed out the existence of two distinct elements in the Platonic Dialoguesone dispersive, practical, prosaic; the other mystical, absorbing, centripetal. The American scholar is, however, as we think, quite mistaken when he attributes the second of these tendencies to Asiatic influence. It is extremely doubtful whether Plato ever travelled farther east than Egypt; it is probable that his stay in that country was not of long duration; and it is certain that he did not acquire a single metaphysical idea from its inhabitants. He liked their rigid conservatism; he liked their institution of a dominant priesthood; he liked their system of popular education, and the place which it gave to mathematics made him look with shame on the swinish ignorance of his own countrymen in that respect;130 but on the whole he classes them among the races exclusively devoted to money-making, and in aptitude for philosophy he places them far below the Greeks. Very different were the impressions brought home from his visits to Sicily and204 Southern Italy. There he became acquainted with modes of thought in which the search after hidden resemblances and analogies was a predominant passion; there the existence of a central unity underlying all phenomena was maintained, as against sense and common opinion, with the intensity of a religious creed; there alone speculation was clothed in poetic language; there first had an attempt been made to carry thought into life by associating it with a reform of manners and beliefs. There, too, the arts of dance and song had assumed a more orderly and solemn aspect; the chorus received its final constitution from a Sicilian master; and the loftiest strains of Greek lyric poetry were composed for recitation in the streets of Sicilian cities or at the courts of Sicilian kings. Then, with the rise of rhetoric, Greek prose was elaborated by Sicilian teachers into a sort of rhythmical composition, combining rich imagery with studied harmonies and contrasts of sense and sound. And as the hold of Asiatic civilisation on eastern Hellas grew weaker, the attention of her foremost spirits was more and more attracted to this new region of wonder and romance. The stream of colonisation set thither in a steady flow; the scenes of mythical adventure were rediscovered in Western waters; and it was imagined that, by grasping the resources of Sicily, an empire extending over the whole Mediterranean might be won. Perhaps, without being too fanciful, we may trace a likeness between the daring schemes of Alcibiades and the more remote but not more visionary kingdom suggested by an analogous inspiration to the idealising soul of Plato. Each had learned to practise, although for far different purposes, the royal art of Socratesthe mastery over mens minds acquired by a close study of their interests, passions, and beliefs. But the ambition of the one defeated his own aim, to the destruction of his country and of himself; while the other drew into Athenian thought whatever of Western force and fervour was needed for the accomplishment of its205 imperial task. We may say of Plato what he has said of his own Theaettus, that he moves surely and smoothly and successfully in the path of knowledge and inquiry; always making progress like the noiseless flow of a river of oil;131 but everywhere beside or beneath that placid lubricating flow we may trace the action of another current, where still sparkles, fresh and clear as at first, the fiery Sicilian wine.
ONE:The glowing enthusiasm of Plato is, however, not entirely derived from the poetic traditions of his native city; or perhaps we should rather say that he and the great writers who preceded him drew from a common fount of inspiration. Mr. Emerson, in one of the most penetrating criticisms ever written on our philosopher,129 has pointed out the existence of two distinct elements in the Platonic Dialoguesone dispersive, practical, prosaic; the other mystical, absorbing, centripetal. The American scholar is, however, as we think, quite mistaken when he attributes the second of these tendencies to Asiatic influence. It is extremely doubtful whether Plato ever travelled farther east than Egypt; it is probable that his stay in that country was not of long duration; and it is certain that he did not acquire a single metaphysical idea from its inhabitants. He liked their rigid conservatism; he liked their institution of a dominant priesthood; he liked their system of popular education, and the place which it gave to mathematics made him look with shame on the swinish ignorance of his own countrymen in that respect;130 but on the whole he classes them among the races exclusively devoted to money-making, and in aptitude for philosophy he places them far below the Greeks. Very different were the impressions brought home from his visits to Sicily and204 Southern Italy. There he became acquainted with modes of thought in which the search after hidden resemblances and analogies was a predominant passion; there the existence of a central unity underlying all phenomena was maintained, as against sense and common opinion, with the intensity of a religious creed; there alone speculation was clothed in poetic language; there first had an attempt been made to carry thought into life by associating it with a reform of manners and beliefs. There, too, the arts of dance and song had assumed a more orderly and solemn aspect; the chorus received its final constitution from a Sicilian master; and the loftiest strains of Greek lyric poetry were composed for recitation in the streets of Sicilian cities or at the courts of Sicilian kings. Then, with the rise of rhetoric, Greek prose was elaborated by Sicilian teachers into a sort of rhythmical composition, combining rich imagery with studied harmonies and contrasts of sense and sound. And as the hold of Asiatic civilisation on eastern Hellas grew weaker, the attention of her foremost spirits was more and more attracted to this new region of wonder and romance. The stream of colonisation set thither in a steady flow; the scenes of mythical adventure were rediscovered in Western waters; and it was imagined that, by grasping the resources of Sicily, an empire extending over the whole Mediterranean might be won. Perhaps, without being too fanciful, we may trace a likeness between the daring schemes of Alcibiades and the more remote but not more visionary kingdom suggested by an analogous inspiration to the idealising soul of Plato. Each had learned to practise, although for far different purposes, the royal art of Socratesthe mastery over mens minds acquired by a close study of their interests, passions, and beliefs. But the ambition of the one defeated his own aim, to the destruction of his country and of himself; while the other drew into Athenian thought whatever of Western force and fervour was needed for the accomplishment of its205 imperial task. We may say of Plato what he has said of his own Theaettus, that he moves surely and smoothly and successfully in the path of knowledge and inquiry; always making progress like the noiseless flow of a river of oil;131 but everywhere beside or beneath that placid lubricating flow we may trace the action of another current, where still sparkles, fresh and clear as at first, the fiery Sicilian wine.
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ONE:Pattern-making relates to the construction of duplicate models for the moulded parts of machinery, and involves a knowledge of shrinkage and cooling strains, the manner of moulding and proper position of pieces, when cast, to ensure soundness in particular parts. As a branch of machine manufacture, pattern-making requires a large amount of special knowledge, and a high degree of skill; for in no other department is there so much that must be left to the discretion and judgment of workmen.
ONE:Pattern-making relates to the construction of duplicate models for the moulded parts of machinery, and involves a knowledge of shrinkage and cooling strains, the manner of moulding and proper position of pieces, when cast, to ensure soundness in particular parts. As a branch of machine manufacture, pattern-making requires a large amount of special knowledge, and a high degree of skill; for in no other department is there so much that must be left to the discretion and judgment of workmen.
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ONE:A proof of this last proposition is found in the fact that a thorough latheman will perform nearly as much work and do it as well on an old English lathe with plain screw feed, as can be performed on the more complicated lathes of modern construction; but as economy of skill is sometimes an equal or greater object than a saving of manual labour, estimates of tool capacity should be made accordingly. The main points of a lathe, such as may most readily affect its performance, are firsttruth in the bearings of the running spindle which communicates a duplicate of its shape to pieces that are turned,second, coincidence between the line of the spindle and the movement of the carriage,third, a cross feed of the tool at a true right angle to the spindle and carriage movement,fourth, durability of wearing surfaces, especially the spindle bearings and sliding ways. To these may be added many other points, such as the truth of feeding screws, rigidity of frames, and so on, but such requirements are obvious.
ONE:A proof of this last proposition is found in the fact that a thorough latheman will perform nearly as much work and do it as well on an old English lathe with plain screw feed, as can be performed on the more complicated lathes of modern construction; but as economy of skill is sometimes an equal or greater object than a saving of manual labour, estimates of tool capacity should be made accordingly. The main points of a lathe, such as may most readily affect its performance, are firsttruth in the bearings of the running spindle which communicates a duplicate of its shape to pieces that are turned,second, coincidence between the line of the spindle and the movement of the carriage,third, a cross feed of the tool at a true right angle to the spindle and carriage movement,fourth, durability of wearing surfaces, especially the spindle bearings and sliding ways. To these may be added many other points, such as the truth of feeding screws, rigidity of frames, and so on, but such requirements are obvious.
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ONE:A safe rule will be to assume that machinery mainly used and seen by the skilled should be devoid of ornament, and that machinery seen mainly by the unskilled, or in public, should have some ornament. Steam fire engines, sewing machines, and works of a similar kind, which fall under the inspection of the unskilled, are usually arranged with more or less ornament.
ONE:A safe rule will be to assume that machinery mainly used and seen by the skilled should be devoid of ornament, and that machinery seen mainly by the unskilled, or in public, should have some ornament. Steam fire engines, sewing machines, and works of a similar kind, which fall under the inspection of the unskilled, are usually arranged with more or less ornament.
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THREE:They behaved tolerably well during the first few days after the occupation of Tongres; but that did not last long, and soon they began here also to commit atrocious acts of terrorism. One evening96 at about the middle of August several civilians were killed, a dozen houses along the road to Maastricht were fired, and in the town the windows of several shops smashed, which was followed by general looting. That lost them whatever sympathy they might have met with in the district."Have you got anything for me to eat?" I asked, not heeding his words.