THREE:Immediately behind the cart walked Reuben with his mother on his arm. Her face was hidden in a clumsy black veil, which the Rye mantua-maker had assured her was the London fashion, and she was obviously ill at ease in the huge black shawl and voluminous skirts which the same fashion, according to the Rye mantua-maker, had decreed. Her hand pulled at Reuben's sleeve and stroked it as if for comfort. It was a smallish hand, and wonderfully soft for a farmer's wife��but then Mary Backfield had not lived like an ordinary farmer's wife. Under the thick veil, her face still had a certain soft colour and youthfulness, though she was nearly forty, and most women of her position were wrinkled and had lost their teeth by thirty-five. Also the curves of her figure were still delicate. She had been cherished by her husband, had done only light household work for him and borne him only two children. She carried the tokens of her happiness in smooth surfaces and soft lines.

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THREE:

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THREE:Pete was at a loss. He could lie if the lie were not too constructive, but in a case like this he was done for.

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THREE:"Your work is so beautiful" returned De Boteler, looking at the silk, "that I wish you could find time to embroider a tabard for me."

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THREE:A theme unsung by other harps is mine��

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