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Prout turned the notes over and opened them out like a pack of cards.

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CHAPTER IIThe life of George Stephenson proves that notwithstanding the novelty and great importance of his improvements in steam transit, he did not "discover" these improvements. He did not discover that a floating embankment would carry a railway across Chat Moss, neither did he discover that the friction between the wheels of a locomotive and the rails would enable a train to be drawn by tractive power alone. Everything connected with his novel history shows that all of his improvements were founded upon a method of reasoning from principles and generally inductively. To say that he "discovered" our railway system, according to the ordinary construction of the term, would be to detract from his hard and well-earned reputation, and place him among a class of fortunate schemers, who can claim no place in the history of legitimate engineering.I was greatly astonished to see a little old man sitting by his house, while all those in the neighbour118hood were burning. His own dwelling had escaped without much damage, and was only hit by rifle bullets. He told me that his family had fled, his son with wife and all children but one, a small boy. At length he left also, but had lost his way outside the town, and returned to his house, where the Germans "allowed" him to remain. I considered that I might after all sleep better in that house than yonder among the soldiers, and asked the little man whether he would put me up for the night. He did not object at all; but in spite of my pressing, he refused absolutely to accept any payment.
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ONE:Leona smiled in a queer, strange way."Then search once more--look everywhere. You might have changed them from one pocket to the other quite unconsciously. Be quick, because I have sent for a doctor to examine you."
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ONE:
TWO:CHAPTER XXVII. A GLASS OF WINE.
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ONE:"Yes, yes," Ren said impatiently, "I know all that. Why did you kill him?"We find the same theory reproduced and enforced with weighty illustrations by the great historian of that age. It is not known whether Thucydides owed any part of his culture to Protagoras, but the introduction to his history breathes the same spirit as the observations which we have just transcribed. He, too, characterises antiquity as a scene of barbarism, isolation, and lawless violence, particularly remarking that piracy was not then counted a dishonourable profession. He points to the tribes outside Greece, together with the most backward among the Greeks themselves, as representing the low condition from which Athens and her sister states had only emerged within a comparatively recent period. And in the funeral oration which he puts into the mouth of Pericles, the legendary glories of Athens are passed over without the slightest allusion,69 while exclusive prominence is given to her proud position as the intellectual centre of Greece. Evidently a radical change had taken place in mens conceptions since Herodotus wrote. They were learning to despise the mythical glories of their ancestors, to exalt the present at the expense of the past, to fix their attention exclusively on immediate human interests, and, possibly, to anticipate the coming of a loftier civilisation than had as yet been seen.
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ONE:
TWO:IV. FORE:As these shop processes or operations are more or less connected, and run one into the other, it will be necessary at the beginning to give a short summary of them, stating the general object of each, that may serve to render the detailed remarks more intelligible to the reader as he comes to them in their consecutive order.

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ONE:"So most people think. To my mind she is a brilliant adventuress. With beauty and brains and audacity a woman like that never need want for money. Of course, the crash will come sooner or later, but meanwhile she is having a good time. But you are going to see my patience rewarded. A murder has been committed here, and that woman knows all about it. Out of that murder came the terrible charge that hangs over my friend Bruce, and she knows all about that. I know all about it, too, but knowing and proving are two very different things. It is a fight in the dark between us, but I am going to win at the finish."I felt very sick, for the sweet rye-bread which I had forced down my throat in the morning did not agree with me at all. At last I felt so ill that I162 was obliged to lie down on the floor of the car, and it took my colleague all his time to convince me that he did not think that my last hour had struck.
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"A good idea," Lalage muttered. "An excellent doubling of the tracks. May I guess that you are going to meet Leona Lalage here tonight?""Gently, gently," he growled. "Let us look at those gems. I have them here. See, are those the ones you passed over to me?"On the afternoon of the 23rd the hostile troops entered the town, and on that day the inhabitants had not to suffer, excepting from requisitions made. But the following evening it was suddenly on fire at various spots, and the soldiers began to shoot in all directions, making many victims. Before setting the houses on fire, with a liberal use of the lozenges mentioned already, the usurpers ransacked them and removed numerous pieces of valuable furniture. The Place d'Armes, the Place Lopold, the Rue St. Nicolas, Rue Rogier, and the Avenue de la Plante were almost entirely reduced to ashes. With the town-hall many valuable pictures were destroyed. The day following the conflagration they left off shooting at last, but the looting went on for days more.Motion or power may be varied to almost any degree by the ratio between the pistons of pumps and the pistons which give off the power, the same general arrangement of machinery answering in all cases; whereas, with gearing the quantity of machinery has to be increased as the motive power and the applied power may vary in time and force. This as said recommends hydraulic apparatus where a great force is required at intervals, and it is in such cases that it was first employed, and is yet for the most part used."Then I began to understand. You were only a little time from the room. Why did you go from the room? Ostensibly to see Captain Gifford off in his new autocar. Here was a possible solution. I saw Gifford later, and he told me that you had been larking off in his car for twenty minutes--long enough at that time of night to get to my chambers and back easily.The evolution of Greek tragic poetry bears witness to the same transformation of taste. On comparing Sophocles with Aeschylus, we are struck by a change of tone analogous to that which distinguishes Thucydides from Herodotus. It has been shown in our first chapter how the elder dramatist delights in tracing events and institutions back to their first origin, and in following derivations through the steps of a genealogical sequence. Sophocles, on the other hand, limits himself to a close analysis of the action immediately represented, the motives by which his characters are in91fluenced, and the arguments by which their conduct is justified or condemned. We have already touched on the very different attitude assumed towards religion by these two great poets. Here we have only to add that while Aeschylus fills his dramas with supernatural beings, and frequently restricts his mortal actors to the interpretation or execution of a divine mandate, Sophocles, representing the spirit of Greek Humanism, only once brings a god on the stage, and dwells exclusively on the emotions of pride, ambition, revenge, terror, pity, and affection, by which men and women of a lofty type are actuated. Again (and this is one of his poetic superiorities), Aeschylus has an open sense for the external world; his imagination ranges far and wide from land to land; his pages are filled with the fire and light, the music and movement of Nature in a Southern country. He leads before us in splendid procession the starry-kirtled night; the bright rulers that bring round winter and summer; the dazzling sunshine; the forked flashes of lightning; the roaring thunder; the white-winged snow-flakes; the rain descending on thirsty flowers; the sea now rippling with infinite laughter, now moaning on the shingle, growing hoary under rough blasts, with its eastern waves dashing against the new-risen sun, or, again, lulled to waveless, windless, noonday sleep; the volcano with its volleys of fire-breathing spray and fierce jaws of devouring lava; the eddying whorls of dust; the resistless mountain-torrent; the meadow-dews; the flowers of spring and fruits of summer; the evergreen olive, and trees that give leafy shelter from dogstar heat. For all this world of wonder and beauty Sophocles offers only a few meagre allusions to the phenomena presented by sunshine and storm. No poet has ever so entirely concentrated his attention on human deeds and human passions. Only the grove of Col?nus, interwoven with his own earliest recollections, had power to draw from him, in extreme old age, a song such as the nightingale might have warbled amid those92 inviolable recesses where the ivy and laurel, the vine and olive gave a never-failing shelter against sun and wind alike. Yet even this leafy covert is but an image of the poets own imagination, undisturbed by outward influences, self-involved, self-protected, and self-sustained. Of course, we are only restating in different language what has long been known, that the epic element of poetry, before so prominent, was with Sophocles entirely displaced by the dramatic; but if Sophocles became the greatest dramatist of antiquity, it was precisely because no other writer could, like him, work out a catastrophe solely through the action of mind on mind, without any intervention of physical force; and if he possessed this faculty, it was because Greek thought as a whole had been turned inward; because he shared in the devotion to psychological studies equally exemplified by his younger contemporaries, Protagoras, Thucydides, and Socrates, all of whom might have taken for their motto the noble lines
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