ONE:He held out his hand for it without a word. She had produced a charming design, punning on his name. A ship lay on its side with its keel showing: in the foreground was a faun squatting on the sand reading: behind was a black sky with stars and a large moon. He knew it to be a charming piece of work, but his annoyance at himself clouded everything.[Pg 39]
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ONE:I am going to tell you what we talked about, if you will be quiet for a moment. You do not yet know that I have given them the new wing to the hospital
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ONE:Keeling read this through once and once again before he passed to the consideration of the answer he would make to it. He found that it said very disagreeable things inoffensively, which seemed to him a feat, knowing that if he wrote a letter containing disagreeable news, the tone of his letter would be disagreeable also. He could not quite understand how it was done, but certainly he felt no kind of offence towards the writer."One thing more," Mr. Bassett added.
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ONE:The road wound among the fields where the rice was growing luxuriantly, and where now and then they found beans and millet, and other[Pg 165] products of Japanese agriculture. The cultivation was evidently of the most careful character, as the fields were cut here and there with little channels for irrigation; and there were frequent deposits of fertilizing materials, whose character was apparent to the nose before it was to the eye. In some places, where the laborers were stooping to weed the plants, there was little more of them visible than their broad sun-hats; and it did not require a great stretch of the imagination to believe they were a new kind of mushroom from Brobdingnagian gardens. Hills like sharply rounded cones rose from each side of the narrow valley they were descending; and the dense growth of wood with which the most of them were covered made a marked contrast to the thoroughly cleared fields. The boys saw over, and over, and over again the pictures they had often seen on Japanese fans and boxes and wondered if they were realities. They had already learned that the apparently impossible pictures we find in Japanese art are not only possible, but actual; but they had not yet seen so thorough a confirmation of it as on this day's ride.
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ONE:I am going away, she said. I shall leave Bracebridge to-night. Its all settled.{315}Total height of statue, 53 feet 6 inches; width across shoulders, 29 feet; length of face, 16 feet; width of face, 9 feet 6 inches. It is said to weigh four hundred and fifty tons, and to be made of a bronze composed of gold, mercury, tin, and copper. The head is covered with curls, also of bronze, and there are said to be 966 of them; then there is a halo around the head 78 feet in diameter, and supporting 16 images, each one 8 feet long. The statue is in a squatting posture, like the one at Kamakura, and is covered with a building so small that it is impossible to obtain a good view in consequence of being too near the figure. The expression of the features is not at all equal to that of the great Dai-Boots at Kamakura, and the whole design is far less artistic. But it is the second in the empire in size, and for that reason is worthy of notice as well as for its antiquity.
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