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A tea plantationa garden of large shrubs pruned[Pg 293] in such a way as to secure the greatest possible growth of young shoots, and above the delicate tea plants a shady hedge of fan palms and taller trees. The leaves are gathered by day, spread in the evening on hurdles and left for the night in open sheds. On the morrow they are first thrown into a sort of bottomless square funnel which revolves on a board; rolled and broken in this machine they are ready for drying. The tea passes through twenty grades of increasing temperature, and in drying it gives out the most delightful aromaa mixture of sweetbriar, seaweed, and violets, with a scent of tea too. The leaves are finally sifted, which sorts them in four sizes into boxes containing the different qualities.
ONE:Steaming over the transparent and intensely blue sea, we presently perceived an opaquer streak of sandy matter, getting denser, and becoming at last liquid, extremely liquid, yellow mudthe waters of the Ganges, long before land was in sight. Between the low banks, with their inconspicuous vegetation, a desolate shore, we could have fancied we were still at sea when we had already reached the mouth of the sacred stream. Some Hindoos on board drew up the water in pails to wash their hands and face, fixing their eyes in adoration on the thick sandy fluid. Enormous steamships crossed our bows, and in the distance, like a flock of Ibis, skimmed a whole flotilla of boats with broad red sails, through which the low sun was shining. The banks closed in, the landscape grew more definitetall palm trees, plots of garden ground, factory chimneys, a high tower. On the water was an inextricable confusion of canoes and row-boats flitting among the steamships and sailing barks moored all along the town that stretched away out of sight.On the very summit of the hill, all over the ravine which divided it from another, and which has been filled up at an enormous cost, and then on the top of that other hill beyond, temples are piled up, shining against the too-blue sky, with pointed roofs of stone, scorched by the sun or stained by the rain, and patterned with pale-hued lichens. Above each a spear stands up, impaling a metal ball. In infinite variety, differing in materials, style, and proportions, some quite small, as if they had sprouted round the base of others that are gigantic, there are here five thousand temples built by the faithful, who are incessantly erecting more, devoting great fortunes to the vanity of leaving a chapel that bears their name.

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TWO:Adinath, a Ja?n temple, is roofed with huge blocks of stone. The airy architecture is a medley of balconies, of pierced panels, of arcades in squares, in lozenges, in octagons; the two stories, one above the other, are on totally different plans, and along every wall, on every column and every balustrade runs a fatiguing superfluity of ornament, figures and arabesques repeated on the stone, of which not an inch is left plain.Back to the station, where we lived in our carriage, far more comfortable than a hotel [Pg 58]bedroom. T., my travelling companion in Gujerat, received a visit from a gentleman badly dressed in the European fashion, and followed by black servants outrageously bedizened. When this personage departed in his landau, rather shabby but drawn by magnificent horses, T. was obliged to tell me he was a rajahthe Rajah of Suratquite a genuine rajah, and even very rich, which is somewhat rare in these days among Indian princes.

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TWO:Stones flying, sticks thrownat a little pariah girl, whose shadow as she passed had defiled the food of a Brahmin. He merely threw away the rice, which the dogs soon finished; but the bystanders who had witnessed the girl's insolence in going so near the holy manshe so base and unworthyflew at the unhappy creature, who ran away screaming, abandoning a load of wood she was carrying on her head.At the top, facing two immense rocks that look like couchant lions, there was another palace; one[Pg 100] wall alone is left standing; on the creamy marble a peacock spreads its tail, carved into very delicate sprays and flowers.

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TWO:A golden mass, an enormous shrine chased all over and starred with tapers, now came forward, borne by a score of naked men. Against the gold background, in a perfect glory of diamonds and pearls, sat Vishnu, decked out with flowers and jewels, his head bare with a huge brilliant in his forehead.

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ONE:We visited a temple where the natives treasure the couch of the Guru Ram-Roy, a very holy and much venerated fakir.

We believe ideas come from everyone, everywhere. In fact, at BlackTie, everyone within our agency walls is a designer in their own right. And there are a few principles we believe—and we believe everyone should believe—about our design craft. These truths drive us, motivate us, and ultimately help us redefine the power of design. We’re big believers in doing right by our neighbors. After all, we grew up in the Twin Cities and we believe this place has much to offer. So we do what we can to support the community we love.

Over the past four years, we’ve provided more than $1 million in combined cash and pro bono support to Way to Grow, an early childhood education and nonprofit organization. Other community giving involvement throughout our agency history includes pro bono work for more than 13 organizations, direct giving, a scholarship program through the Minneapolis College of Art & Design, board memberships, and ongoing participation in the Keystone Club, which gives five percent of our company’s earnings back to the community each year.

ONE:[Pg 205]We left the caravan far behind. In the gorge with its rosy-pink soil the silence was exquisite, the air had the freshness of a mountain height, and quite inexplicably amid these barren rocks, where there was not a sign of vegetation, there was a scent of honey and almonds.

To achieve real change, we have to expand boundaries. Because the Wild West of what-could-be is unexplored but rife with opportunity.



TWO:Under the cool shade of evening, the softening[Pg 44] touch of twilight, all this sculptured magnificence assumes an air of supreme grandeur, and calls up a world of legends and beliefs till the temples seem to recede, fading into the vapour of the blue night.

Employees and consumers. Two halves of a brand’s entirety, the whole of a brand’s audience. Sometimes these two halves have very different viewpoints, creating a weak spot in the brand story. Weakness tarnishes credibility. Brands that aren’t credible aren’t viable.

We squash weakness by designing the whole brand story. It’s crafted around the truism held by employees and consumers to create an experience that connects from the inside out.

By being true to the brand we represent, we elevate the audiences’ relationship to it. Like becomes love becomes a passion. Passion becomes advocacy. And we see the brand blossom from within, creating a whole story the audience embraces. That’s when the brand can truly flex its muscles.

TWO:

ONE:

To develop a deeper and more meaningful connection with consumers, we believe design must invite them to take part in the conversation.

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ONE:A spell seemed to linger over this little bazaar, to slacken every movement and give the people an indolent grace. They spoke languidly in the shade of the awnings spread by the flower-sellers and the jewellers, who, with little ringing taps, were [Pg 95]hammering out minute patterns on silver anklets and necklaces.At the very top of the incline, the enclosing wall, black with age but bright with yellow velvet moss, rises precipitously above the plain, and three light balconies, with columns as slight as flower-stems,[Pg 77] crowned with pointed roofs recurved at the angles, overhang the abyss.



FORE:A very good quail that is often the victor, is worth eight or ten rupees. At a funeral a day or two since one of the bearers had his quail in a cage hanging from his girdlea champion bird he would not part from.

Mike combines an expert technical knowledge with a real eye for design. Working with clients from a wide range of industries, he fully understands client objectives when working on a project, large or small.


FORE:The streets were hung with gaudy flags and[Pg 135] coloured paper. Altars had been erected, four poles supporting an awning with flounces of bright-coloured silk, and under them a quantity of idols, of vases filled with amaryllis and roses, and even dainty little Dresden figuresexquisite curtseying Marquises, quite out of their element among writhing Vishnus and Kalis.

Tim is an experienced marcoms practitioner and manages projects from inception to delivery. He understands the synergy between great design and commercial effectiveness which shines through on every project.


FORE:

Be a creative director is a hard task, but Michele loves what she does. Her combination of knowledge and expertise is an important pillar in our agency.


FORE:The sultan's bath is lined with panels of lapis lazuli framed in gold, and inlaid with [Pg 210]mother-of-pearl, or looking-glass, and the walls have little hollow niches for lamps, over which the water fell in a shower into a bath with a decoration of scroll-work. And in front of Jehangir's room, again a series of basins hollowed in the steps of a broad marble stair, where a stream of water fell from one to another.

Jaye began making websites when animated logos and scrolling text were cool, but has since found a love for simplicity, creating websites that are a pleasure to browse. Monkey Island Fan.

TWO:MADRAS

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ONE:

From the purely practical to the richly philosophical, design is the solution to a host of challenges.



ONE:Between the large parasols are thousands of little pagodas, formed of four columns and a roof, and sheltering idols wreathed with flowers, to whom the faithful pray and bring offerings. Garlands are for ever floating down-stream, jasmine and Indian pinks, and patches of scattered rose petals; and on the banks of the river, where the sand forms little bays, flowers lie in a hem of delicate colours.A little way off, in the burning sandy plain, is a pagoda sacred to the pigeons. Lying as close as tiles, in the sun, they hide the roof under their snowy plumage. Round pots are hung all about the building, swaying in the wind, for the birds to nest in, a red decoration against the russet stone; each one contains an amorous and cooing pair.


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ONE:There was at the top of the temple a sarcophagus in a shrine, on which were masses of impalpable silk gauze embroidered with gold, which looked like a peacock's breast, so subtle were the transparent colours lying one above anothergreen, blue, and yellow predominating, gauze so light that the slightest breath set it floating in glistening and changing hues; and on the snowy white pavement of the floor was strewn a carpet of very pale lilac lilies and mindi flowers.

There’s more to design than meets the eye. It’s when it meets the heart that design creates a meaningful, lasting connection with the audience.



ONE:



FORE:"It is made at thirty-five, twenty, fifteen rupees."
Published Aug 30.
TWO:Then, two and two, carrying on their shoulders heavy trays piled with presents, women mount the steps of the house, the bridegroom standing at the bottom. The bride's mother comes forth to meet them in a dress of pale-coloured China crape covered with a fine white saree. She waves her closed hand three times over the gifts, and then, opening it, throws rice on the ground. This action[Pg 16] she repeats with sugar and sweetmeats, and finally with a coco-nut. And each time she empties her hand a naked boy appears from heaven knows where, gathers up what she flings on the ground, and vanishes again, lost at once in the shadows of the garden.

Armed with insight, we embark on designing the right brand experience that engages the audience. It encompasses both the strategic direction and creative execution that solves a business problem and brings the brand to life.

In the create phase, the big idea is unleashed to the world through different media touchpoints. This is when we watch the audience fall in love all over again with our client’s brand.

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FORE:From the open loggia at the end of the vast reception-room, lined with white marble and hung with thick carpets, there was an extensive view over the green plain inundated with water and sunshine to the holy city of dazzling domes that looked as if they had just risen from the Ganges. The air was full of heady fragrance; the Rajah described the springtide festivals, barges carrying troupes of dancing bayadres on the Ganges sparkling with a myriad lights.A spell seemed to linger over this little bazaar, to slacken every movement and give the people an indolent grace. They spoke languidly in the shade of the awnings spread by the flower-sellers and the jewellers, who, with little ringing taps, were [Pg 95]hammering out minute patterns on silver anklets and necklaces.
Published Aug 28.
TWO:As we went back we found the roses carried in the morning by the Persian strewn on the ground in front of the Ali Musjid, and over them a flock of birds with red beaks were fluttering.

Armed with insight, we embark on designing the right brand experience that engages the audience. It encompasses both the strategic direction and creative execution that solves a business problem and brings the brand to life.

In the create phase, the big idea is unleashed to the world through different media touchpoints. This is when we watch the audience fall in love all over again with our client’s brand.

Read More




CRAFTED IN NEW YORK, USA.

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A tea plantationa garden of large shrubs pruned[Pg 293] in such a way as to secure the greatest possible growth of young shoots, and above the delicate tea plants a shady hedge of fan palms and taller trees. The leaves are gathered by day, spread in the evening on hurdles and left for the night in open sheds. On the morrow they are first thrown into a sort of bottomless square funnel which revolves on a board; rolled and broken in this machine they are ready for drying. The tea passes through twenty grades of increasing temperature, and in drying it gives out the most delightful aromaa mixture of sweetbriar, seaweed, and violets, with a scent of tea too. The leaves are finally sifted, which sorts them in four sizes into boxes containing the different qualities.

Some Address 987,

+34 9884 4893

|


THANKS FOR VISITING US

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A tea plantationa garden of large shrubs pruned[Pg 293] in such a way as to secure the greatest possible growth of young shoots, and above the delicate tea plants a shady hedge of fan palms and taller trees. The leaves are gathered by day, spread in the evening on hurdles and left for the night in open sheds. On the morrow they are first thrown into a sort of bottomless square funnel which revolves on a board; rolled and broken in this machine they are ready for drying. The tea passes through twenty grades of increasing temperature, and in drying it gives out the most delightful aromaa mixture of sweetbriar, seaweed, and violets, with a scent of tea too. The leaves are finally sifted, which sorts them in four sizes into boxes containing the different qualities.


THREE:

Some Address 987, NY
+34 9884 4893
+34 59855 9853
agency@blacktie.co
@blacktie_co
BlackTie Agency

THREE:

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THREE:"Fivesix," said the baboo, hesitating; then,[Pg 194] seeing that I was quite incredulous, "Sometimes more," he added.

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FORE:Firmly erect in military attitudes, they moved like one man. All without exception turn out capital soldiers.
In the heart of Girgaum, one of the suburbs of Bombay, at the end of a street, under a large areca palm an old man was selling grain and rice in open baskets. A whole flight of bickering sparrows settled on his merchandise, and he looked at them with happy good humour without scaring them away.As the sun sank, a magical light of lilac fading into pink fell on the mountain temples, on the rock partly blackened by ages or scorched to pale yellow, almost white; it shed an amethystine glow, transfiguring the carved stone to lacework with light showing through. A wheeling flock of noisy parrakeets filled the air with short, unmeaning cries, intolerable in this rose and lavender stillness, where no sound could be endurable but the notes of an organ. A ray of fiery gold shot straight into the red temple, falling on the marble Buddha. For a moment the idol seemed to be on fire, surrounded by a halo of burning copper.The Cingalese women, of languid gait, wear a long dark robe clinging about their legs and reaching to the ground. The poorer women have only a scanty saree to complete the costume; the more wealthy display stockings and boots; a white bodice cut low, with open sleeves and no basque leaves a roll of skin visible between the skirt and the bodice. The men wear a long loin-cloth of English trouser-stuff, a white jacket buttoned over the bare skin, and a twist of back hair like a woman's, in which they stick a celluloid comb, coronet-fashionsuch a comb as is used in Europe[Pg 125] to keep the hair back from a child's forehead. And all the race are too slender, too pliant, their eyes too long and slightly darkened with kohl; the boys especially have an unpleasant, ambiguous look.The night was spent in travelling: an oppressive night of crushing heat, with leaden clouds on the very top of us; and next day, in the blazing sunlight, nothing seemed to have any coloureverything was white and hot against a blue-black sky that seemed low enough to rest on the earth. Wayfarers slept under every tree, and in the villages every place was shut, everything seemed dead. It was only where we changed horses that we saw anyonepeople who disappeared again immediately under shelter from the sun.
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