Felipa had discarded, long since, the short skirt and moccasins of her girlhood, and had displayed no inconsiderable aptitude in the matter of fashions; but she was given to looseness of draperies and a carelessness of attire in her own home that the picturesqueness of her beauty alone only saved from slatternliness. There was one manifestation of ill taste which she did not give, however, one common enough with the wives of most of the officers. She was never to be found running about the post, or sitting upon the porches, with her husband's cape around her shoulders and his forage-cap over her eyes. Her instinct for the becoming was unfailing. This was a satisfaction to Landor. But it was a secret grievance that she was most contented when in her riding habit, tearing foolhardily over the country.
As for the Kirby affair, there had been no hint of treachery in the published or verbal accounts of it. The ranch hands who had escaped had told a plain enough tale of having fled at the approach of the Indians, vainly imploring the Kirbys to do the same. It[Pg 166] seemed that the most they could be accused of was cowardice. It had all been set forth in the papers with much circumstance and detail. But Cairness doubted. He remembered their dogged ugliness, and that of the raw-boned Texan woman.He first published an engraving of "The Small Masquerade Ticket, or Burlington Gate," in ridicule of Lord Burlington's architecture, and of Pope's eulogiums on Burlington and satire of the Duke of Chandos. He illustrated "Hudibras," and produced a satirical plate, "The Taste of the Times," in 1724; and, some years after, "The Midnight Conversation" and "Southwark Fair." Not content with the fame which this vein, so peculiarly his own, was bringing him, he had the ambition to attempt the historical style, but this was a decided failure. In 1734, however, he came out in his full and peculiar strength in "The Harlot's Progress." The melancholy truth of this startling drama, mingled with touches of genuine humour, seized at once on the minds of all classes. It became at once immensely popular; it was put on the stage, and twelve hundred subscriptions for the engravings produced a rich harvest of profit. In the following year he produced "The Rake's Progress," which, though equally clever, had not the same recommendation of novelty. In 1744 he offered for sale the original paintings of these subjects, as well as "The Four Times of the Day," and "The Strolling Actresses Dressing in a Barn;" but here he felt the effects of the sturdy English expression of his sentiments on art, and his distributing of an engraving of "The Battle of the Pictures," as a ticket of admission, gave great offence to painters and their patrons. The whole sum received was only four hundred and twenty-seven pounds. Undaunted by his self-injuring avowal of his opinions, he offered in 1750 the pictures of "Marriage la Mode" for sale, but put forth an advertisement in such caustic terms, as he reflected on the result of his former auction, that he effectually kept away purchasers, and obtained only a hundred and twenty pounds for what Mr. Angerstein afterwards gave a thousand pounds for. His "March to Finchley" being sent for the royal inspection, so impressed George II. with the idea that it was a caricature of his Guards, that, though the engraving of it was dedicated to him, he ordered the picture out of his sight, with expressions of great indignation. Hogarth quietly substituted the name of the King of Prussia in the dedication, as "an encourager of the arts."
