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ONE:When the last stone was placed, Shah Jehan sent for the architect and went with him to the top of the mausoleum.

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THREE:After inspecting my little permit to visit the Khyber, the officials at the fort had placed in my carriage a soldier of the native Khyber rifle-corps, six feet six in height, placid and gentle. When I got out of the carriage to walk up a hill he would follow a yard or so behind, and watching all my movements, looked rather as if he were taking me to prison than like an escort to protect me.
One morning, when Gregor Samsa woke from troubled dreams
THREE:We stopped at a bungalow by a creek of the Jellum that was paved with broad lotus-leaves, among which the buds were already opening their pink hearts."How do you expect to pay?" asked his master, an officer.
One morning, when Gregor Samsa woke from troubled dreams

THREE:Here, even more than at Lucknow, are the memories of 1857��columns and tombs; and on the spot where the last victims who had trusted him were murdered by the orders of the Indian prince, stands the "Memorial," an arcade [Pg 190]surrounding the figure of an angel, which in its Christmas-card sentimentality suggests the apotheosis of a fairy drama, and has the arid lack of feeling that characterizes a monochrome figure in vulgar decoration, almost counteracting the pity we experience in the presence of the simpler tombs��all bearing the same date, June, 1857."Kali?" he asked.
One morning, when Gregor Samsa woke from troubled dreams
THREE:While I was talking to the postmaster the fakir smoked a hookah, burning amber powder and rose-leaves. The air was full of the narcotic fragrance; a piercing perfume that mounted to the brain.Then, two and two, carrying on their shoulders heavy trays piled with presents, women mount the steps of the house, the bridegroom standing at the bottom. The bride's mother comes forth to meet them in a dress of pale-coloured China crape covered with a fine white saree. She waves her closed hand three times over the gifts, and then, opening it, throws rice on the ground. This action[Pg 16] she repeats with sugar and sweetmeats, and finally with a coco-nut. And each time she empties her hand a naked boy appears from heaven knows where, gathers up what she flings on the ground, and vanishes again, lost at once in the shadows of the garden.
One morning, when Gregor Samsa woke from troubled dreams

THREE:The moon at night shed an intense light, warm and golden. There was scarcely any shadow, and in the quivering atmosphere the flowers poured out their perfume on the cooler air. Frogs croaked a basso continuo to cries of night birds, and a sort of roar, very loud but very distant, almost drowned the concert in the fort close by.Here, once more, is the spectre of the mutiny that broke out in the Residency, of which the ruins may be seen in the middle of a park intersected by watercourses, the English flag still proudly waving over them.
One morning, when Gregor Samsa woke from troubled dreams
THREE:At our feet lay old Gwalior, sacked again and again, and as often rebuilt out of its own ruins;[Pg 202] and now the princely residences, all of marble wrought in almost transparent lacework, serve to shelter wandering cattle.
One morning, when Gregor Samsa woke from troubled dreams

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ONE:

THREE:
He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections

THREE:The ripe rice, in golden ears, is cut with sickles; a row of women in red gather it into sheaves, which men carry on their back, at once, to the next village, and there it is threshed out forthwith on floors but just swept.They shoved it under water, but it presently rose to the surface and floated down the stream, followed by a flock of hawks that snatched at the burnt remains and fought over them in the air, while crocodiles below swam up and snapped at them, dragging them down in their enormous jaws, which appeared for a moment above the water.
He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections

THREE:[Pg 224]In the circular marble crypt there is a large cracked bell, inscribed "Lieutenant-Colonel Martin, 1788," also a bust of the corporal, and, in an adjoining cell, the tomb of Colonel Martin, who,[Pg 187] having left his native town of Lyons for Pondicherry, after having painfully worked his way up to the grade of corporal in the French king's army, departed from thence and travelled to Oudh. There as a favourite of the Moslem king's and generalissimo of his troops, he amassed a large fortune, and spent it in building the palaces and colleges which perpetuate his name in several towns in India. He was an eccentric adventurer, whom some now remember here, and whose name pronounced in the Indian fashion, with a broad accent on the a, suggests an almost ironical meaning in conjunction with the idea of a college.
He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections

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He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections

ONE:And to and fro on the ramparts, the sentry, in an uniform of the same hue as the sun-baked bricks, paced his beat, invisible but for a needle of light on his fixed bayonet; till when crossing a patch of light he was seen like an apparition, lost again in the shadow of the wall.But the enchantment of this rose-tinted land, vibrating in the sunshine, is evanescent. The city[Pg 3] comes into view in huge white masses��docks, and factories with tall chimneys; and coco-palms, in long lines of monotonous growth, overshadow square houses devoid of style.

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FORE:Beyond these ruins, at the end of a long avenue bordered with tamarind trees, beyond an artificial lake, is the tomb of Shah Alam. A wide marble court; to the right a mosque with three ranks of columns; above, a massive roof crowned with a[Pg 56] bulbous dome, flanked by fragile minarets. The fountain for ablutions in the midst of the court is surmounted by a marble slab supported on slender columns. To the left, under the shade of a large tree, is the mausoleum of marble, yellow with age, looking like amber, the panels pierced with patterns of freer design than goldsmith's work.

FORE:

FORE:By the roadside came two figures tottering along, and then, turning to look at me, showed me the horror of their shrivelled bodies, their dimmed eyes��all that seemed alive in those drawn faces of skin and bone��the jaw stiffened in a skull-like grimace; victims of the famine, who had come from the Central Provinces where there had been no rain for two years, and where everything was dying. This couple were making their way to a poorhouse hard by. They had come from a village in Bundelkund, whence all the inhabitants had fled��themselves the sole survivors of a family of eighteen souls. First the children died, then the very old folks. These two had kept themselves alive on what had been given them on the way, but immigrants soon were too many in the districts unvisited by famine, and ere long they could get nothing; then they fed on roots, on what they[Pg 191] could steal from fields or garden-plots, or found left to rot, scorned even by the beasts.All the architectural details are effaced; parasites and creepers have overgrown the old-world carvings.

FORE:An old-world Indian city with nothing of modern flimsiness and tinsel. The arcades and balconies of the houses in the bazaar are carved out of solid wood, polished by ages to tones of burnished steel and warm gold. Copper nails in the doors shine in the sun. Along the quiet streets, where nothing passes by but, now and then, a slow-paced camel, Hindoos make their way, draped in pale pink, or in white scarcely tinged with green or orange colour; little naked children, with necklaces, bangles and belts of silver, looking like ribbons on their bronze skin. In front of the shops is a brilliant harmony of copper, sheeny fruits, and large pale green pots. A glad atmosphere of colour surrounds the smiling people and the houses with their old scorched stones.

FORE:

FORE:All the architectural details are effaced; parasites and creepers have overgrown the old-world carvings.In a wonderful garden, amazing after the sandy waste that lies between Benares and Allahabad��a garden of beds filled with flowers showing no leaves, but closely planted so as to form a carpet of delicate, blending hues��stand three mausoleums, as large as cathedrals, in the heart of cool silence, the tombs of the Sultan Purvez, of his father Khusru, and of his wife, the Begum Chasira.

FORE:Shops of the same trade are found in rows; carpenters joining their blocks, and workmen carving ornaments with very simple tools��clumsy tools��which they use with little, timid, persistent taps. Further on, coppersmiths are hammering the little pots which are to be seen in everybody's hands; under the shade of an awning stretched over the tiny booth, the finished vessels, piled up to the roof, shed a glory over the half-naked toilers who bend over their anvils, perpetually making jars of a traditional pattern, used for ablutions. There are two men at work in each shop, three at most, and sometimes an old man who sits smoking with half-closed eyes.The draught-oxen all had their horns painted[Pg 134] in gaudy colours, generally one horn blue and the other green.

FORE:RAWAL PINDI

FORE:Close to a village that has sprouted under the baobab-trees, in the midst of the plain that once was Khoutab, in the court of a mosque, is the marble sarcophagus of a princess. Grass is growing in the hollow of the stone that covers her, in fulfilment of the wishes of the maiden, who in her humility desired that when she was dead she should be laid to rest under the common earth whence the grass grows in the spring. And not far from the rajah's daughter, under a broad tamarind tree, in the blue shade, is the tomb of Kushru, the poet who immortalized Bagh-o-Bahar. On the sarcophagus, in the little kiosk, was a kerchief of silk and gold, with a wreath of fresh flowers renewed every day by the faithful.On the bank of the river, where there are no more steps, only beaten earth, in a little raised pit a pile of wood was slowly dying out. A man with[Pg 166] a cane raked back the sticks as they fell and rolled away. A squatting crowd were waiting till their relation was altogether consumed to cast his ashes on the sacred waters.

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ONE:This Dilbar was a boy with a more woolly wig than the others, and to emphasize her sex wore a monstrous display of trinkets round her neck and arms, in her ears and nose.