Wheres Larryand Dick? asked Jeff, as Sandy ran beside him.
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One of the pioneers of the science of political economy at this time was Dr. Davenant, the son of Sir William Davenant, the poet. He had no genius for drawing principles and theories from accumulated facts, but he was a diligent collector of them, and his porings amongst State documents and accounts have served essentially the historians and political economists of our day.And Cairness himself was startled and utterly unprepared when the Reverend Taylor opened the door of the room where he lay and let her pass in. The little parson uttered no word, but there was a look on his face which said that now the questions he had put with no result were answered. It was for this that Cairness had given the best of his life.
Another thing he could not quite fathom was why the religious dances he had, in pursuance of his wild[Pg 176] pleasure, seen fit to hold on Cibicu Creek, had been interfered with by the troops. To be sure, the dances had been devised by his medicine men to raise the dead chiefs and braves with the end in view of re-peopling the world with Apaches and driving out the Whites. But as the dead had not consented to the raising, it might have been as well to allow the Indians to become convinced of the futility of it in that way. However, the government thought otherwise, and sent its troops."Well," drawled Cairness again,he had learned the value of the word in playing the Yankee game of bluff,"with those about the beef contract and those about the Kirby massacre, also a few I gathered around San Carlos (you may not be aware that I have been about that reservation off and on for ten years), with those facts I could put you in the penitentiary, perhaps, even with an Arizona jury; but at any rate I could get you tarred and feathered or lynched in about a day. Or failing all those, I could shoot you myself.[Pg 260] And a jury would acquit me, you know, if any one were ever to take the trouble to bring it before one, which is doubtful, I think."Far above all other English artists of this period, however, stood William Hogarth (b. 1697). There is no artist of that or any former age who is so thoroughly English. He is a John Bull from head to footsturdy, somewhat headstrong, opinionated, and satirical. He is, indeed, the great satirist of the brush; but his satire, keen as it is, is employed as the instrument of the moralist; the things which he denounces and derides are crimes, follies, and perverted tastes. In his own conduct, as on his canvas, he displayed the same spirit, often knocking down his own interests rather than not express his indignant feeling of what was spurious in art, or unjust towards himself. Hogarth was the first English painter who attracted much notice amongst foreigners, and he still remains one of the most original in genius of the British school. His subjects are not chosen from the loftier regions of life and imagination, but from the very lowest or the most corrupted ones of the life of his country and time. "The Harlot's Progress," "The Rake's Progress," "Marriage la Mode,"[163] "The March to Finchley," "Gín Lane," "Beer Lane," etc., present a series of subjects from which the delicate and sensitive will always revolt, and which have necessarily an air of vulgarity about them, but the purpose consecrates them; for they are not selected to pander to vice and folly, but to expose, to brand, to extirpate them.Are there people as crazy as that? And going around, loose?There was a chuckle from the group, and a chorus to the effect that they would be eternally condemned, the truth of which was patent in their faces. "Leave the little codger be," some one suggested; "he ain't skeered worth a sour apple."
