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In the plain the sowars were performing an[Pg 280] Indian fantasia. Charging at a gallop, their wide sleeves flying behind them, they swept past like a whirlwind, aiming with their lances at a peg of wood stuck into the ground. Whenever it was speared there were frantic shouts and applause from a crowd of spectators, packed in the best places. In a cloud of dust, growing steadily thicker and hanging motionless over the riders, the performance went on, its centre always this same peg of wood, replaced again and again, exciting the enthusiasm of connoisseurs till the last ray of light died away.

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We sailed past the holy city in a heavy, massive junk, the prow formed of a snake with its head erect and jaws yawning, down the Ganges, all rippled with rose and blue. Palaces, and more palaces, with thick walls and towers, that look like bastions, stand in perspective as far as the eye can see. Windows and balconies are cut in the ponderous masonry at the level of the third floor, and high above these rajahs' dwellings rise the domes of the temples, pointing skywards among tall trees that spread their shade on the russet stonework. At the foot of the palaces, steps lead down to the river, divided by little stages covered with wicker umbrellas that shine in the sun like discs of gold; under these, Brahmins, after bathing, were telling their beads. Now and again they dipped their fingers in the sacred waters and moistened their eyes, forehead, and lips.
ONE:"Export business!" says Abibulla. TWO:

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TWO:The men are paid as much as two annas (one penny) a day. The women earn ten, seven, or three[Pg 195] cowries (shells at the rate of about 190 to the anna) for each basket-load, according to the distance, and could make as much as an anna a day. But each of these toilers had to support many belongings who could not work, and squatted about the camp in their desolate and pitiable misery. And the food was insufficient for any of them, only hindering the poor creatures from dying at once.

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THREE:Inside, a subdued light, rosy and golden, comes in through the myriad interstices, casting a glow of colour on the pierced marble screens which enclose the tomb of Shah Alam, Sultan of Gujerat. The tomb itself, hung with a red cloth under a canopy on posts inlaid with mother-of-pearl, is dimly seen in the twilight, scarcely touched here and there with the pearly gleam and lights reflected from ostrich eggs and glass ballstoys dedicated by the faithful to the hero who lies there in his last sleep. Yet further away, under the trees, is another tomb, almost the same, but less ornamented, where the sultan's wives repose.

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THREE:Birds, green, red, black, and gold-colour, fluttered gaily among the palms, the bamboos as tall as pine trees, the baobabs and mango trees; butterflies with rigid tails and large wings beating in uncertain flight, floated over the bright verdure flecked with sunshine. Round one pagoda, towering over a wretched village that lay huddled in the shade of its consecrated walls, a proud procession of stone bulls stood out against the sky, visible at a great distance in clear outline through the heated, quivering air. FORE:Tazulmulook, again an outcast in the jungle, rescues a lady related to Bakaoli from the embrace of a demon, and she in gratitude takes the prince to Bakaoli's court. So at last the lovers are united and married.
THREE: FORE:
THREE: FORE:A large building of red and white stone, with spacious arcades and a central dome, as vast as a cathedral, stands at the angle of two avenuesthe[Pg 6] railway terminus; and a great market of iron and glassCrawford Market. Here are mountains of fruit, greenery, and vegetables of every colour and every shade of lustre; and a flower garden divides the various market sheds, where little bronze coolies, in white, scarcely clad, sell oranges and limes.
THREE:Down the middle of the Ganges a white bundle is being borne, and on it a crow pecking the body of a child wrapped in its winding-sheet. FORE:The large town lies along the bank of the Jellum; the houses are of wood, grey and satiny with old age, and almost all tottering to their end on the strand unprotected by an embankment. The windows are latticed with bent wood in fanciful designs. Large houses built of brick have thrown out covered balconies and verandahs, supported on tall piles in the water, and on brackets carved to represent monsters or flowering creepers.All round the Rajah's palace crowds a town of palaces, mosques, and temples dedicated to Vishnu; and outside the walls, on a plain lying between the hills of Amber, is another town, still thick with ruins amid the forest of encroaching trees. And it is all dead, deserted, dust-coloured, unspeakably sad, with the sadness of destruction and desertion in the midst of a landscape gorgeous with flowers and groves. In the palace of Amber, guides make a good[Pg 216] business of showing us the public rooms, baths, and bedrooms, all restored with an eye to the tourist. In the gardens, heavy with perfume, the trees display swinging balls of baked earth full of holes, which protect the ripening fruit from the monkeys; a whole tribe of them scampered off at our approach, and went to torment the peacocks that were solemnly promenading a path, and that presently flew away.
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THREE:Near one pagoda, where the highly venerated footprints of Adishwara are preserved, a treea gran treewas cut down to the root, and, as the legend tells, grew again in a single night as large as it now is; and it would grow again if it were again felled, to screen with its shade the holy spot touched by the god. FORE:The palace of the Rajah of Nagpoor, with its two towers, overlooks the river from above a broad stairway. A balcony quite at the top is supported on a massive cornice lightly carved into acanthus leaves. The damp has subdued the red colour of the building, fading it especially at the base, and from a distance it might be fancied that a veil of thin gauze had been hung over the palace, and fastened beneath the carved parapet.
THREE:

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THREE:

Perspiciatis unde omnis iste natus error sit voluptatem accu santium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo.

THREE:

Perspiciatis unde omnis iste natus error sit voluptatem accu santium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo.

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FORE:There is a never-ending traffic of elephants, baggage-camels, and vehicles with shouting drivers; and on the ground are spread heaps of fruit, baskets for sale, glass baubles and weapons. In all the pink and white throng not an European dress is to be seen, not even one of the vile compounds adopted by the baboo, a striped flannel jacket over the dhoti. Men and women alike wear necklaces of flowers, or flowers in their hair; the children are gaudy with trinkets and glass beads.

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FORE:

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FORE:Even more than the assembly of their relatives and friends, the prisoners at the bar maintained the impassive mien of men who attach no disgrace to a sentence pronounced by a conquering race; they would take the penalty without a murmur, as one of the inevitable incidents of this life, which to them is but a stage, a passage to a higher existence.

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AT SEAVery early in the morning, on emerging from[Pg 164] the gloom of the narrow streets, there is a sudden blaze of glory, the rising sun, purple and gold, reflected in the Ganges, the waters throbbing like fiery opal. The people hurry to the shore carrying trays piled high with flowers and offerings. The women carry little jars in their hands looking like burnished gold, and containing a few drops of scented oil to anoint themselves withal after bathing. These jars are covered with roses and jasmine blossoms, to be sent floating down the sacred stream as an offering to the gods. The steps are crowded already with the faithful, who have waited till Surya the day-star should rise, before going through their devotional ablutions. With a great hubbub of shouts and cries, and laughter and squabbling, this throng pushes and hustles, while those unimaginable priests sit stolidly under their wicker sunshades, mumbling their prayers, and accepting alms and gifts. All along the river there are people bathing on the steps which go down under the water, the men naked all but a loin-cloth, the women wearing long veils which they change very cleverly for dry ones after their bath, and then wait in the sun till their garments are dry enough to carry away.The rock is girt with a belt of walls, and in the citadel, besides Mandir, with its outbuildings and tanks, there is a whole town of palaces and temples, which are being demolished little by little to make way for barracks.When we stopped to change horses, two or three mud-huts under the shade of a few palm trees would emit an escort of little native boys, who followed the fresh team, staring at the carriage and the "Inglis Sahib" with a gaze of rapturous stupefaction.
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