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THREE:Marie Antoinette was tall, well-formed, with perfectly shaped arms, hands and feet, a brilliant complexion, bluish-grey eyes, delicate though not regular features, a charming expression and a most imposing air, which very much intimidated Mme. Le Brun during the first sitting. But the kindness and gentleness with which the Queen talked to the young artist soon set her at ease, and when the portrait, which was to be presented to the Emperor Joseph II., was finished, she was desired to make two copies of it; one to be sent to the Empress Catherine of Russia, the other to be placed in the royal apartments, either at Versailles or Fontainebleau. After these she painted several portraits of the Queen, one of which, in a straw hat, was, when exhibited in the Salon, 1786, declared by one of those malicious slanders then becoming frequent, to be the Queen en chemise.The career of Jeanne Vaubernier, Comtesse Du Barry, was a most extraordinary one. Her father was a workman, and she, after being a milliner��s apprentice for some years, lived under the name of Mlle. Lange, in a house of bad fame, where she became the mistress of Count Jean Du Barry, who in 1769 presented her to Louis XV., who was deeply fascinated by her wonderful beauty, and over whom, after having gone through the form of marriage with the brother of Jean Du Barry, she reigned supreme during the remainder of his life. But her day of power and splendour was only a short one, for the King died five years afterwards (1774), when she was, of course, immediately obliged to leave the court and live in retirement; probably much sooner than she expected, for Louis XV. was only sixty-three when he fell a victim to small-pox. The twelve years had been spent in her chateau, where the Duc de Brissac took the place of his royal predecessor.