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FORE:The other alternative was to combine the dialectical idealism of Plato with the cosmology of early Greek thought, interpreting the two worlds of spirit and Nature as gradations of a single series and manifestations of a single principle. This was what Aristotle had attempted to do, but had not done so thoroughly as to satisfy the moral wants of his own age, or the religious wants of the age when a revived Platonism was seeking to organise itself into a system which should be the reconciliation of reason and faith. Yet the better sort of Platonists felt that this work could not be accomplished without the assistance of Aristotle, whose essential agreement with their master, as against Stoicism, they fully recognised. Their273 mistake was to assume that this agreement extended to every point of his teaching. Taken in this sense, their attempted harmonies were speedily demolished by scholars whose professional familiarity with the original sources showed them how strongly Aristotle himself had insisted on the differences which separated him from the Academy and its founder.407 To identify the two great spiritualist philosophers being impossible, it remained to show how they could be combined. The solution of such a problem demanded more genius than was likely to be developed in the schools of Athens. An intenser intellectual life prevailed in Alexandria, where the materials of erudition were more abundantly supplied, and where contact with the Oriental religions gave Hellenism a fuller consciousness of its distinction from and superiority to every other form of speculative activity. And here, accordingly, the fundamental idea of Neo-Platonism was conceived.

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FORE:Artistic drawing is addressed to the senses, geometrical drawing is addressed to the understanding. Geometrical drawing may, however, include artistic skill not in the way of ornamentation, but to convey an impression of neatness and completeness, that has by common custom been assumed among engineers, and which conveys to the mind an idea of competent construction in the drawing itself, as well as of the machinery which is represented. Artistic effect, so far as admissible in mechanical drawing, is easy to learn, and should be understood, yet through a desire to make pictures, a beginner is often led to neglect that which is more important in the way of accuracy and arrangement.Meanwhile, hedonism had been temporarily taken up by Plato, and developed into the earliest known form of utilitarianism. In his Protagoras, he endeavours to show that every virtue has for its object either to secure a greater pleasure by the sacrifice of a lesser pleasure, or to avoid a greater pain by the endurance of a lesser pain; nothing being taken into account but the interests of the individual agent concerned. Plato afterwards discarded the theory sketched in the Protagoras for a higher and more generous, if less distinctly formulated morality; but while ceasing to be a hedonist he remained a utilitarian; that is to say, he insisted on judging actions by their tendency to promote the general welfare, not by the sentiments which they excite in the mind of a conventional spectator.

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