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    ONE: "There have been several men around the hotel trying to sell things to us, and we have been looking at them. One thing I am going to[Pg 90] get and send in this letter is a box of Japanese pictures. They are not photographs, but real drawings by Japanese artists, and printed on Japanese paper. You will see how soft and nice the paper is; and though the pictures look rough, they are very good, and, above all things, they are truthful. I am going to get as many different ones as I can, and so I think you will be able to get a good idea of the country as the natives see it themselves. They have these pictures showing all their ways of lifehow they cook their food, how they eat it, how they work, how they playin fact, how everything is done in this very curious country. The Japanese make their drawings with very few lines, and it will astonish you to see how much they can express with a few strokes of a pencil. Here is a[Pg 91] picture of a horse drawn with seven strokes of the artist's finger-nail dipped in ink, and with a few touches of a wide brush for the mane and tail. Do you think my old drawing-master at home could do the same thing?
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ONE:He moved straight landward through the cottonwoods, followed by the men in single file, but halted them while the rear was still discernible in the green tangle. Presently they unslung carbines, and I distinctly heard galloping. It was not far beyond the cottonwoods. The Yankees were after us. Suddenly it ceased. Over yonder, shoreward in the thicket, came a sharp command and then a second, and then, right on the front of the jungle, at the water's edge, the shots began to puff and crack, and the yellow river out here around the boat to spit!--spit!--in wicked white splashes. Every second their number grew. Behind me Quinn and his men stole away. But orders are orders and I had no choice but to watch the boat. The man in the stern had his back to me, and no face among the other five did I know. They were fast getting away, but the splashes came thick and close and presently one ball found its mark. The man at the stern hurriedly changed places with an oarsman; and as the relieved rower took his new seat he turned slowly upon his face as if in mortal pain, and I saw that the fresh hand at the oar was the brother of Major Harper. Just as I made the discovery "Boom!" said my small dust-cloud across the river, and "hurry-hurry-hurry-hurry-hurry-hurry-hurry--" like a train on a trestle-work--"boom!"--a shell left its gray track in the still air over the skiff and burst in the tops of the cottonwoods. The green thicket grew pale with the bomb's white smoke, yet "crack! crack!" and "spit! spit!" persisted the blue-coats' rifles. "Boom!" said again the field-piece on yonder side the water. Its shell came rattling through the air to burst on this side, out of the flashing and cracking of rifles and the sulphurous bomb smoke arose cries of men getting mangled, and I whimpered and gnawed my lips for joy, and I watched the boat, but no second shot came aboard, and--"Boom!--hurry-hurry-hurry- hurry"--ah! the frightful skill of it! A third shell tore the cottonwoods, its smoke slowly broadened out, a Federal bugle beyond the thicket sounded the Rally, and the cracking of carbines ceased. FORE:That is very friendly of you, he said. But we are friends, arent we?At this moment the boy covered with buttons entered.
FORE:A question, sharply put, generally produced some kind of effect upon the Clockwork man. It seemed to release the mechanism in his brain that made coherent speech possible. But his reply was disconcerting.

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FORE:Don't you like him? she asked, and tried to be very arch."Oh--I--I'm afraid to say it--even to Estelle, or aunt Martha, or--"

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FORE:[Pg 189]

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FORE:FAN-MAKERS AT WORK. FAN-MAKERS AT WORK."Wait," said the Clockwork man, without altering his position, "moment of luciditysee things as they arebegin to understand[Pg 89]finite worldonly one thing at a time. Now we've got ita place for everything and everything in its place."

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ONE:IVThrough this active scene of refreshment and recreation, our party strolled along, and at length came to the gateway of the temple, an enormous structure of wood like a house with triple eaves, and raised on pillars resembling the piers of a bridge. This is similar to the gateway that is found in front of nearly every Japanese temple, and is an imposing ornament. On either hand, as we pass through, we find two statues of demons, who guard the entrance, and are gotten up in the superlative degree of hideousness. When the Japanese give their attention to the preparation of an image of surpassing ugliness, they generally succeed, and the same is the case when they search after the beautiful. Nothing can be more ugly[Pg 127] in feature than the giants at Asakusa, and what is there more gracefully beautiful than the Japanese bronzes that were shown in the great exhibitions at Philadelphia and Paris? Les extrmes se touchent. FORE:The boy covered with buttons opened the door to her. She hoped that Mrs Keeling would not be richly crossing the Gothic hall. She wanted only to get quietly into the library and go on with letter M. Letter M implied a quantity of cardboard slips.
FORE:"They suspend men by the wrists and ankles; sometimes by one wrist and one ankle, and at others by all four brought closely together. Then they place a victim in a chair with his arms tied to cross-sticks, and in this position he is compelled to sit for hours in the most terrible pain. Another mode is by tying a man's hands together beneath his knees, and then passing a pole under his arm and suspending him from it. This is called 'the monkey grasping a peach,' and it is frequently employed to compel a rich man to pay heavily to escape punishment. How it got its name nobody can tell, unless it was owing to a supposed resemblance to the position of a monkey holding something in his paw.

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FORE:"Being a soldier," said Charlotte, "you want to die like one?"

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ONE:"Yes, I know," Fred replied; "there's the Gulf Stream, in the Atlantic Ocean, everybody has heard of; it is a great river in the sea, and flows north at the rate of three or four miles an hour."And so he said nothing. They remained by the stile, courting each other and the silent on-coming of night. They were very ordinary lovers, and behaved just exactly in the same way as other people in the same condition. They kissed at intervals and examined each other's faces with portentous gravity and microscopic care. Leaning against the stile, they were frequently interrupted by pedestrians, some of whom took special care to light their pipes as they passed. But the disturbance scarcely affected them. Being lovers, they belonged to each other; and the world about them also belonged to them, and seemed to fashion its laws in accordance with their desires. They would not have offered you twopence for a reformed House of Commons or an enlightened civilisation.

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ONE:Lord Inverbroom sauntered about in the grazing, ambulatory fashion of the book-lover and when his quarter of an hour was already more than spent, he put the volume he was examining back{275} into its place again with a certain air of decision.He began to be firmly conscious of a wish that Mrs Keeling would appear. Alices pale eyes were fixed on him with an almost alarming expression of earnestness. He took refuge in the pretty jesting again.

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ONE:HONG-KONG AND CANTON.CHINESE PIRATES.

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ONE:Whod have thought it, do you ask? he said. Why, I thought it; I knew it all along, I may say.A note from Lord Inverbroom, sir, he said. His lordship told me to give it you personally.

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ONE:"Thank you," the Curate beamed, "I'm afraid the Vicar will be very annoyed, but it can't be helped."

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"I shall be glad to see you when you come back; of course I shall, for your sister's sake. And you'll be writing to Mary, and she'll tell me where you are. And when she's writing to you she'll""Hello, Smith." He turned sharply from me, horse and all."What's that to do with the crow?" Fred asked."Did the legs go on kicking?" said Gregg, quickly.I was about to put a false meaning even on that, when she added "We don't need the ford this time of year; let us ride back as if we gave up the trip--for there may be a vidette looking at us now in the edge of those bushes--and as soon as we get where we can't be seen let us take a circuit. We can cross the creek somewhere above and strike the Wiggins road up in the woods. You can find your way by the blessed stars, can't you--being the angel you are?"
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