ONE:
TWO:
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TWO:The one she liked best was Marly-le-Roi, a royal palace entirely destroyed in the Revolution. It was then an abode of enchantment, and she always spoke with rapture of the chateau with its six pavilions, its trellised walks covered with jasmin and honeysuckle, its fountains, cascades, canal, and pools upon which floated tame swans, its lawns shaded by enormous trees, its terraces and statues, everything recalling Louis XIV. Here for the first time she saw Marie Antoinette, then Dauphine, walking in the gardens with several of her ladies, all dressed in white.In some cases it was possible to recover part, though often only a fragment of their possessions; in other cases not: it depended to a great extent what or who the forfeited estates belonged to. Sometimes, as in the case of the Duchess dAyen, people who had not emigrated, were allowed, even if they were murdered, to leave their estates to their families; but the whole state of things seemed an inextricable confusion impossible to explain; especially in a work of this kind.
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THREE:She was a strange character, full of artificial sentiment, affectation, and self-deception, and, unlike the first three heroines of this book, the mystery and doubts which hung over her have never been cleared up.
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THREE:One day, while she was sitting to Mme. Le Brun, Mme. S asked her to lend her carriage to her that evening to go to the theatre. Mme. Le Brun consented, but when she ordered the carriage next morning at eleven oclock she was told that neither carriage, horses, nor coachman had come back. She sent at once to Mme. S, who had passed the night at the h?tel des Finances and had not yet returned. It was not for some days that Mme. Le Brun made this discovery by means of her coachman, who had been bribed to keep silent, but [68] had nevertheless told the story to several persons in the house.
FORE:De Marat,
THREE:It was very difficult just then to get money from France, and she had even to advance some for Mademoiselle dOrlans. Remembering what had happened to La Fayette, she was very much afraid of falling into the hands of the Austrians; on the other hand she could not go into France [437] without a permission, which she was silly enough to ask for, but luckily for herself, could not get.
FORE:
THREE:Far from being forced, as formerly, to keep in the background her marriage with the Duke of Orlans, it was for that very reason that she was high in the favour of the First Consul and the more en vidence she made it, the better it was for her.It was time. The day before they left a stone was thrown in at the window just where Mademoiselle dOrlans had been sitting; if it had struck her it might have killed her. It struck her hat which she had hung on the top of a chair. A shower of stones followed, breaking the windows and arousing the Duc de Chartres and their only manservant, who [447] had gone to bed, and who rushed out into the garden, but only in time to hear the hurrying foot-steps of the escaping rascals.
FORE:
THREE:When she had painted the head and sketched out the arms and figure, Mme. Le Brun was obliged to go to Paris. She intended to come back to finish her work, but she found the murder of Foulon and Berthier had just taken place, and the state of [77] affairs was so alarming that her one object was to get out of France. The portrait fell into the hands of Count Louis de Narbonne, who restored it to her on her returnwhen she finished it.La Fayette, accused and proscribed by his late admirers, had found himself so unwilling to trust [232] to their tender mercies that he fled to Lige. But having made himself equally obnoxious to both sides, he had no sooner escaped from the hands of his friends than he fell into those of his enemies, and was arrested by an Austrian patrol and detained, arbitrarily say his friendsbut why arbitrarily?was taken to Wesel, and had now to undergo a mild form of the suffering he had caused to so many others.
FORE:
THREE:Rosalie arrived, her pelisse all covered with snow; the wind raged and it was bitterly cold. Pauline gave her sister the letters for the Duchesse dAyen [226] and Vicomtesse de Noailles, neither of whom she was ever to see again, awoke her child who was astonished to be taken up and dressed by candle-light, and gave her to M. de Montagu, who took her to the carriage, and then came back and, saying Everything is ready, pressed the hand of his sister-in-law without any further leave taking than if they were going into the country, as the servants were standing about.
FORE:No, Madame, replied Casanova, he was a painter who amused himself by being ambassador.
THREE:
Perspiciatis unde omnis iste natus error sit voluptatem accu santium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo.
THREE:Nobody ever saw the tapestry in question because it did not exist, and Louis XV., speaking of the story, said scornfully, Have there ever been such things as tapestries chez les Montmorin?
Perspiciatis unde omnis iste natus error sit voluptatem accu santium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo.
THREE:[315]
Perspiciatis unde omnis iste natus error sit voluptatem accu santium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo.
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M. Denon, who could not imagine what she meant, looked at her in astonishment, only sayingM. de Chalabre at first denied, but on the Queens insisting confessed that it was the young Comte de , whose father was an ambassador, and was then abroad. The Queen desired him to keep the affair secret, and the next evening when the young Count approached the tables she said, smilingCHAPTER VI
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