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More temples, each more stupendous than the[Pg 41] last, and more halls hewn in the rifts of the hills, and over them monks' cells perched on little columns, which at such a height look no thicker than threads.The actors spoke their parts like lessons, with a gesture only now and then, and invariably wrong;[Pg 229] and they all spoke and sang through the nose in an irritating voice pitched too high.
ONE:The actors were exclusively men and boys, those who took female parts wore rusty wigs over their own long, black hair; these were plaited on each side of the face, and waxed behind to fall over the shoulders. The costumes of velvet and satin, heavily embroidered with gold and silver, were hideous.

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Inside the shops everything was piled together. The same man is at once a banker, a maker of papier-mach boxespapi-machi they call it hereand of carpets, a goldsmith, tailor, upholstererand never lets you go till you have bought something.In the distance we heard a sound of pipes, and the merchant hastened out to call the nautch-girls, who began to dance in the street just below us, among the vehicles and foot-passengers. There were two of them; one in a black skirt spangled with silver trinkets, the other in orange and red with a head-dress and necklace of jasmine. They danced with a gliding step, and then drew themselves up with a sudden jerk that made all their frippery tinkle. Then the girl in black, laying her right hand on her breast, stood still, with only a measured swaying movement of her whole body, while the dancer in yellow circled round, spinning as she went. Next the black one performed a sort of goose-step with her feet on one spot, yelling a so-called tune, and clacking her anklets one against the other. Then, after a few high leaps that set her saree flying, the dance was ended; she drew a black veil over her head, and turned with her face to the wall. The other boldly asked for backsheesh, held up her hands, and after getting her money, begged for cakes and sugar.Above the road lie dark cliffs; a rose-coloured waterfall of melted snow tumbled mixing with the claypink with lilac depths, and the foam iridescent in the sunbeams. The ruins of a large temple of green stone carved with myriads of fine lines stood in solitude at the edge of a wood, and the background was the mountain-range, the Himalayas, lost in the sky and bathed in blue light. Only a portico remains standinga massive, enduring frame for the infinite distance of snow-capped giants. The stones have lost their hue; they are darkly streaked by the rains and a growth of grey and purple mosses, and russet or white lichens have eaten into the surface.Then, under a portico in front of us, a man began to undress. He threw off his dhoti and his sarong, keeping on his loin-cloth only. With outstretched arms he placed a heavy copper pot full of water on the ground, took it up between[Pg 171] his teeth, and without using his hands tilted his head back till the water poured all over him in a shower, which splashed up from the pavement, sprinkling the spectators in the front row. Next he tied his dhoti round the jar, which he refilled, and fastened the end to his long hair. Then, simply by turning his head, he spun the heavy pot round him. It looked as if it must pull his head off, but he flung it faster and faster till he presently stopped.
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