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TWO:On the 8th of July an extraordinary Privy Council was summoned. All the members, of whatever party, were desired to attend, and many were the speculations as to the object of their meeting. The general notion was that it involved the continuing or the ending of the war. It turned out to be for the announcement of the king's intended marriage. The lady selected was Charlotte, the second sister of the Duke of Mecklenburg-Strelitz. Apart from the narrowness of her education, the young princess had a considerable amount of amiability, good sense, and domestic taste. These she shared with her intended husband, and whilst they made the royal couple always retiring, at the same time they caused them to give, during their lives, a moral air to their court. On the 8th of September Charlotte arrived at St. James's, and that afternoon the marriage took place, the ceremony being performed by the Archbishop of Canterbury. On the 22nd the coronation took place with the greatest splendour.

FORE:Besides the miscellaneous poets, the dramatic ones numbered Congreve, Vanbrugh, Farquhar, Colley Cibber, Nicholas Rowe��already mentioned��Savage, Lansdowne, Ambrose Philips, and others. In many of the plays of these authors there is great talent, wit, and humour, but mingled with equal grossness. Congreve's dramas are principally "The Old Bachelor," "The Incognita," "The Double Dealer," "The Way of the World," comedies, and "The Mourning Bride," a tragedy. Vanbrugh, the celebrated architect, produced "The Relapse," "The Provoked Wife," "The Confederacy," "The Journey to London," and several other comedies. Farquhar's principal plays are "The Beaux's Stratagem," "Love and a Bottle," and "The Constant Couple." Savage was the author of the tragedy of "Sir Thomas Overbury;" Nicholas Rowe, of five or six tragedies and one comedy, the most popular of which are "The Fair Penitent" and "Jane Shore." Rowe also translated Lucan's "Pharsalia." As for Colley Cibber, he was a mere playwright, and turned out above two dozen comedies, tragedies, and other dramatic pieces. Lord Lansdowne was the author of "The She-gallants," a comedy, and "Heroic Love," a tragedy of some merit; and John Hughes wrote "The Siege of Damascus," a tragedy, which long remained on the stage.The experience of Hobbes differs both in origin and application from either of these. With him, sensible impressions are not a court of appeal against traditional judgments, nor yet are they the ultimate elements into which all ideas may be analysed; they are the channels through which pulsating movements are conveyed into the mind; and these movements, again, represent the action of mechanical forces or the will of a paramount authority. And he holds this doctrine, partly as a logical consequence of his materialism, partly as a safeguard against the theological pretensions which, in his opinion, are a constant threat to social order. The authority of the political sovereign is menaced on the one hand by Papal infallibility, and on the other by rebellious subjects putting forward a claim to supernatural inspiration. To the Pope, Hobbes says: ��You are violating the law of Nature by professing to derive from God what is really given only by the consent of men, and can only be given by them to their temporal head,��the right to impose a particular religion.�� To the Puritan, he says: ��Your inward illumination is a superstitious dream, and you have no right to use it as a pretext for breaking the king��s peace. Religion has really nothing to do with the supernatural; it is only a particular way of inculcating obedience to the natural conditions of social union.��

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TWO:Were the ca?on of the Aravaypa in any other place than Arizona, which, as the intelligent public knows, is all one wide expanse of dry and thirsty country, a parched place in the wilderness, a salt land, and not inhabited; were it in any other place, it would be set forth in railway folders, and there would be camping privileges and a hotel, and stages would make regular trips to it, and one would come upon groups of excursionists on burros, or lunching among its boulders. Already it has been in a small way discovered, and is on the road to being vulgarized by the camera. The lover of Nature, he who loves the soul as well as the face of her, receives when he sees a photograph of a fine bit of scenery he had felt in a way his own property until then, something the blow that the lover of a woman does when he learns that other men than he have known her caresses.

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