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ONE:Artistic drawing is addressed to the senses, geometrical drawing is addressed to the understanding. Geometrical drawing may, however, include artistic skill not in the way of ornamentation, but to convey an impression of neatness and completeness, that has by common custom been assumed among engineers, and which conveys to the mind an idea of competent construction in the drawing itself, as well as of the machinery which is represented. Artistic effect, so far as admissible in mechanical drawing, is easy to learn, and should be understood, yet through a desire to make pictures, a beginner is often led to neglect that which is more important in the way of accuracy and arrangement.It is only as a religious philosophy that Neo-Pythagoreanism can interest us here. Considered in this light, the principles of its adherents may be summed up under two heads. First, they taught the separate existence of spirit as opposed to matter. Unlike the Stoics, they distinguished between God and Nature, although they were not agreed as to whether their Supreme Being transcended the world or was immanent in it. This, however, did not interfere with their fundamental contention, for either alternative is consistent with his absolute immateriality. In like manner, the human soul is absolutely independent of the body which it animates; it has existed and will continue to exist for ever. The whole object of ethics, or rather of religion, is to enforce and illustrate this independence, to prevent the soul from becoming attached to its prison-house by indulgence in sensual pleasures, to guard its habitation against defiling contact with the more offensive forms of material impurity. Hence their recommendation of abstinence from wine, from animal food, and from marriage, their provisions for personal cleanliness, their use of linen instead of woollen garments, under the idea that a vegetable is purer than an animal tissue. The second article of the Pythagorean creed is that spirit, being superior to matter, has the power of interfering with and controlling its movements, that, being above space and time, it can be made manifest without any regard to the conditions which they ordinarily impose. To what an extent this belief was carried, is shown by the stories told of Pythagoras, the supposed founder of the school, and Apollonius of Tyana, its still greater representative in the first century of our era. Both were credited with an extraordinary power of working miracles and of predicting future events; but, contrary to the usual custom of mythologers, a larger measure of this power was ascribed to the one who lived in a more advanced stage of civilisation, and the composition of whose biography was separated by a250 comparatively short interval from the events which it professes to relate.389