TWO:Pauline was almost in despair. Her child died, as all the others had done; letters from home had stopped, she did not know what had become of her mother, sisters, and grandmother; they were in the middle of winter and had only enough money for another month; more and more emigr��s were crowding into Brussels, flying from the Terror, which had begun.She was constantly surrounded by perils and temptations which to many would have been irresistible. Admiring eyes followed her at the theatre, people crowded round her in the gardens and places of entertainment, men of rank who wanted an opportunity of making love to her had their portraits painted by her for that purpose; but she treated them all with indifference, and when she noticed that their looks and glances were too expressive she would coolly remark: ��I am painting your eyes now,�� or would insist on the portrait being done with the eyes looking in another direction.

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TWO:With a few more words of mingled criticism and compliment, he bowed slightly and turned again to M. Rivarol.

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ONE:Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.

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ONE:M. de Beaune was cheerful enough when the day was fine, as he spent his time in visiting them; but when it rained he stayed at home fretting, grumbling, and adding unintentionally to the troubles of those he loved. He took to reading romances aloud to Pauline, who could not bear them, partly, perhaps, from over-strictness, but probably more because in those days, before Sir Walter Scott had elevated and changed the tone of fiction, novels were really as a rule coarse, immoral, [236] and, with few exceptions, tabooed by persons of very correct notions. However, she knew M. de Beaune must be amused, so she made no objection.

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In 1786 Mme. Le Brun received an invitation to paint the portrait of Mme. Du Barry, the once lovely and all powerful favourite of Louis XV. With great curiosity she went down to the chateau of Louveciennes, given to his mistress by the late King, where she still lived in luxury but almost in solitude, for of the courtiers and acquaintances who [74] had crowded round her in the days of her prosperity scarcely any remembered her now.M. de Beaune was an excellent man, rather hasty-tempered, but generous, honourable, delighted with his daughter-in-law, and most kind and indulgent to her. He took the deepest interest in her health, her [195] dress, and her success in society, into which he constantly went, always insisting upon her accompanying him.It was time. The day before they left a stone was thrown in at the window just where Mademoiselle d��Orl��ans had been sitting; if it had struck her it might have killed her. It struck her hat which she had hung on the top of a chair. A shower of stones followed, breaking the windows and arousing the Duc de Chartres and their only manservant, who [447] had gone to bed, and who rushed out into the garden, but only in time to hear the hurrying foot-steps of the escaping rascals.

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