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ONE:When the Germans entered Bilsen for the first time, four persons were shot in front of the town-hall; fifteen holes were still to be seen in the wall. Amongst these four was also the brother-in-law of the editor of the Bilsenaar. He was dragged out of his house, accused of having shot, although he and his wife and children were at that moment saying the rosary. His wife had got up that day for the first time after her confinement. TWO:Philosophy was no sooner domiciled at Athens than its professors came in for their full share of the scurrilous personalities which seem to have formed the staple of conversation in that enlightened capital. Aristotle, himself a trenchant and sometimes a bitterly scornful controversialist, did not escape; and some of the censures passed on him were, rightly or wrongly, attributed to Plato. The Stagirite, who had been brought up at or near the Macedonian Court, and had inherited considerable means, was, if report speaks truly, somewhat foppish in his dress, and luxurious, if not dissipated in his habits. It would not be surprising if one who was left his own master at so early an age had at first exceeded the limits of that moderation which he afterwards inculcated as the golden rule of morals; but the charge of extravagance was such a stock accusation at Athens, where the continued influence of country life seems to have bred a prejudice in favour283 of parsimony, that it may be taken almost as an exoneration from graver imputations; and, perhaps, an admonition from Plato, if any was needed, sufficed to check his disciple��s ambition for figuring as a man of fashion.

ONE:It is a familiar fact, first brought to light by Lessing, and generalised by him into a law of all good literary composition, that Homer always throws his descriptions into a narrative form. We are not told what a hero wore, but how he put on his armour; when attention is drawn to a particular object we are made acquainted with its origin and past history; even the reliefs on a shield are invested with life and movement. Homer was not impelled to adopt this method either by conscious reflection or by a profound poetic instinct. At a certain stage of intellectual development, every Greek would find it far easier to arrange the data of experience in successive than in contemporaneous order; the one is fixed, the other admits of indefinite variation. Pictorial and plastic art also begin with serial presentations, and only arrive at the construction of large centralised groups much later on. We have next to observe that, while Greek reflection at first followed the order of time, it turned by preference not to present or future, but to past time. Nothing in Hellenic literature reminds us of Hebrew prophecy. To a Greek all distinct prevision was merged in the gloom of coming death or the glory of anticipated fame. Of course, at every great crisis of the national fortunes much curiosity prevailed among the vulgar as to what course events would take; but it was sedulously discouraged by the noblest minds. Herodotus and46 Sophocles look on even divine predictions as purposely ambiguous and misleading. Pindar often dwells on the hopeless uncertainty of life.35 Thucydides treats all vaticination as utterly delusive. So, when a belief in the soul��s separate existence first obtained acceptance among the Greeks, it interested them far less as a pledge of never-ending life and progress hereafter, than as involving a possible revelation of past history, of the wondrous adventures which each individual had passed through before assuming his present form. Hence the peculiar force of Pindar��s congratulation to the partaker in the Eleusinian mysteries; after death he knows not only ��the end of life,�� but also ��its god-given beginning.��36 Even the present was not intelligible until it had been projected back into the past, or interpreted by the light of some ancient tale. Sappho, in her famous ode to Aphrodit��, recalls the incidents of a former passion precisely similar to the unrequited love which now agitates her heart, and describes at length how the goddess then came to her relief as she is now implored to come again. Modern critics have spoken of this curious literary artifice as a sign of delicacy and reserve. We may be sure that Sappho was an utter stranger to such feelings; she ran her thoughts into a predetermined mould just as a bee builds its wax into hexagonal cells. Curtius, the German historian, has surmised with much plausibility that the entire legend of Troy owes its origin to this habit of throwing back contemporary events into a distant past. According to his view, the characters and scenes recorded by Homer, although unhistorical as they now stand, had really a place in the Achaean colonisation of Asia Minor.37 But, apart from any disguised allusions, old stories had an inexhaustible charm for the Greek imagination. Even during the stirring events of the Peloponnesian war, elderly Athenian47 citizens in their hours of relaxation talked of nothing but mythology.38 When a knowledge of reading became universally diffused, and books could be had at a moderate price, ancient legends seem to have been the favourite literature of the lower classes, just as among ourselves in Caxton��s time. Still more must the same taste have prevailed a century earlier. A student who opens Pindar��s epinician odes for the first time is surprised to find so little about the victorious combatants and the struggles in which they took part, so much about mythical adventures seemingly unconnected with the ostensible subject of the poem. Furthermore, we find that genealogies were the framework by which these distant recollections were held together. Most noble families traced their descent back to a god or to a god-like hero. The entire interval separating the historical period from the heroic age was filled up with more or less fictitious pedigrees. A man��s ancestry was much the most important part of his biography. It is likely that Herodotus had just as enthusiastic an admiration as we can have for Leonidas. Yet one fancies that a historian of later date would have shown his appreciation of the Spartan king in a rather different fashion. We should have been told something about the hero��s personal appearance, and perhaps some characteristic incidents from his earlier career would have been related. Not so with Herodotus. He pauses in the story of Thermopylae to give us the genealogy of Leonidas up to Heracl��s; no more and no less. That was the highest compliment he could pay, and it is repeated for Pausanias, the victor of Plataea.39 The genealogical method was capable of wide extension, and could be applied to other than human or animal relationships. Hesiod��s Theogony is a genealogy of heaven and earth, and all that in them is. According to Aeschylus, gain is bred from gain, slaughter from slaughter, woe from woe. Insolence bears a child like unto herself, and this in turn gives birth to48 a still more fatal progeny.40 The same poet terminates his enumeration of the flaming signals that sped the message of victory from Troy to Argos, by describing the last beacon as ��not ungrandsired by the Idaean fire.��41 Now, when the Greek genius had begun to move in any direction, it rushed forward without pausing until arrested by an impassable limit, and then turned back to retraverse at leisure the whole interval separating that limit from its point of departure. Thus, the ascending lines of ancestry were followed up until they led to a common father of all; every series of outrages was traced through successive reprisals back to an initial crime; and more generally every event was affiliated to a preceding event, until the whole chain had been attached to an ultimate self-existing cause. Hence the records of origination, invention, spontaneity were long sought after with an eagerness which threw almost every other interest into the shade. ��Glory be to the inventor,�� sings Pindar, in his address to victorious Corinth; ��whence came the graces of the dithyrambic hymn, who first set the double eagle on the temples of the gods?��42 The Prometheus of Aeschylus tells how civilisation began, and the trilogy to which it belongs was probably intended to show how the supremacy of Zeus was first established and secured. A great part of the Agamemnon deals with events long anterior to the opening of the drama, but connected as ultimate causes with the terrible catastrophe which it represents. In the Eumenides we see how the family, as it now exists, was first constituted by the substitution of paternal for maternal headship, and also how the worship of the Avenging Goddesses was first introduced into Athens, as well as how the Areopagite tribunal was founded. It is very probable that Sophocles��s earliest work, the Triptolemus, represented the origin of agriculture under a dramatic form; and if the same poet��s later pieces, as well as all those of Euripides,49 stand on quite different ground, occupied as they are with subjects of contemporaneous, or rather of eternal interest, we must regard this as a proof that the whole current of Greek thought had taken a new direction, corresponding to that simultaneously impressed on philosophy by Socrates and the Sophists. We may note further that the Aeginetan sculptures, executed soon after Salamis, though evidently intended to commemorate that victory, represent a conflict waged long before by the tutelary heroes of Aegina against an Asiatic foe. We may also see in our own British Museum how the birth of Ath��n�� was recorded in a marble group on one pediment of the Parthenon, and the foundation of her chosen city on the other. The very temple which these majestic sculptures once adorned was a petrified memorial of antiquity, and, by the mere form of its architecture, must have carried back men��s thoughts to the earliest Hellenic habitation, the simple structure in which a gabled roof was supported by cross-beams on a row of upright wooden posts.58 TWO:

ONE:The wounded civilians had been put up in the small schoolrooms. Some of them must soon die. Some had burns, but most of them were hit the previous night during the mad outbreak, the mad shooting of the drunken and riotous Germans. In another room a number of old women were crowded together, who had to fly but could not walk all the way to the Netherland frontier.There is one more aspect deserving our attention, under which the theory of Nature has been presented both in ancient and modern times. A dialogue which, whether rightly or wrongly attributed to Plato, may be taken as good evidence on the subject it relates to,65 exhibits Hippias in the character of a universal genius, who can not only teach every science and practise every kind of literary composition, but has also manufactured all the clothes and other articles about his person. Here we have precisely the sort of versatility which characterises uncivilised society, and which believers in a state of nature love to encourage at all times. The division of labour, while it carries us ever farther from barbarism, makes us more dependent on each other. An Odysseus is master of many arts, a Themistocles of two, a Demosthenes of only one. A Norwegian peasant can do more for himself than an English countryman, and therefore makes a better colonist. If we must return to Nature, our first step should be to learn a number of trades, and so be better able to shift for ourselves. Such was the ideal of Hippias, and it was also the ideal of the eighteenth century. Its literature begins with Robinson Crusoe, the story of a man who is accidentally compelled to provide himself, during many years, with all the necessaries of life. Its educational manuals are, in France, Rousseau��s ��mile; in England, Day��s Sandford and Merton, both teaching that the young should be thrown as much as possible on their own resources. One of its types is Diderot, who learns handicrafts that he may describe them in the Encyclop��die. Its two great spokesmen are Voltaire and Goethe, who, after cultivating every department of literature, take in statesmanship as well. And its last word is Schiller��s Letters on Aesthetic Culture, holding up totality of existence as the supreme ideal to be sought after. TWO:It has, until lately, been customary to speak as if all that Aristotle knew about induction was contained in a few scattered passages where it is mentioned under that name in the Analytics. This, no doubt, is true, if by induction we mean simple generalisation. But if we understand by it the philosophy of experimental evidence��the analysis of those means by which, in the absence of direct observation, we decide between two conflicting hypotheses��then the Topics must be pronounced as good a discussion on the subject as was compatible with his general theory of knowledge. For he supposes that there are large classes of phenomena, including, among other things, the whole range of human life, which, not being bound by any fixed order, lie outside the scope of scientific demonstration, although capable of being determined with various degrees of probability; and here also what he has in view is not the discovery of laws, but the construction of definitions. These being a matter of opinion, could always be attacked as well as maintained. Thus the constant conflict and balancing of opposite forces, which we have learned to associate with the sublunary sphere, has its logical representative no less than the kindred ideas of uncertainty and vicissitude. And, in connexion with this side of applied logic, Aristotle has also to consider the requirements of those who took part in the public debates on disputed questions, then very common among educated Athenians, and frequently turning on verbal definitions. Hence, while we find many varieties of reasoning suggested, such as Reasoning by Analogy, Disjunctive Reasoning, Hypothetical Reasoning (though without a generalised expression for all its varieties), and, what is most remarkable, three out of Mill��s four Experimental Methods,288 we do not find that any interesting or395 useful application is made of them. Even considered as a handbook for debaters, the Topics is not successful. With the practical incompetence of a mere naturalist, Aristotle has supplied heads for arguments in such profusion and such utter carelessness of their relative importance that no memory could sustain the burden, except in the probably rare instances when a lifetime was devoted to their study.