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"What a pity that the sahib does not like music!"

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At the bottom of the steps, almost in the street, was another school at the entrance to a temple. The children, in piercing tones, were all spelling together under the echoing vault, a terrible noise which seemed to trouble nobody.
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THREE:

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THREE:Under the white dome a wooden ceiling, gilt in the hollows of the carving, has taken the place of an earlier ceiling of massive silver, worth seventy lacs of rupees, which was carried off by the conquerors after some long-ago seizure of the city. Inside, by way of walls, are carvings in marble of twisted lilies, inconceivably graceful and light. And then, at one of the entrances, those marble lattices, once gilt and now bereft of their gold, look just like topaz in the midday sun. After that magic splendour of gold and marbles fused to topaz and amber, the rest of the palacethe sleeping-rooms, the couches inlaid with mosaic flowers, the pierced stone balconies overlooking the Jumnaall seemed commonplace and familiar.One after another I made my salaam to Siva, seated on a peacock; to Ganesa, looking calm and knowing; to Parvati, riding a bull; to Siva again, this time pinning a dragon to the ground with a fork, a writhing reptile with gaping jaws and outspread wings; the same god again, with a child in[Pg 121] his arms; and again, holding his leg like a musket up against his shoulder with one of his four hands, the other three lifting a bull, a sceptre, and a trophy of weapons above his head.

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ONE:In the mystery of a polychrome temple, whose walls are closely covered with sculptured bas-reliefs of gods in the shape of men or animals, is a relic, the sacred tooth of Buddha; and all about the precious object, which is enclosed in a series of shrines within impenetrable walls, there is no sign of respect, but all the noise and bustle of a fair, a perfect turmoil of hurrying, chattering folk, whose only anxiety is to keep unbelievers away from the sacred spot.
FORE:Fakirs, holding out their begging-bowls as they squatted round an opening in the ground, showed that it was the entrance to a temple; a few steps down, a long corridor with little niches on each side, and then hall after hall full of grimacing gods, lighted up by our guide's torch, till at last we reached an immense vault where impenetrable darkness filled the angles lost in a labyrinth of arcades converging to some mystery. Here all the Hindoo gods, carved in stone, have been crowded together, with their horrible contortions, their stolid beatitude, their affected grace; and in their midst is a huge idol, hacked with a great cut by Aurungzeeb, the Moslem emperor, at the time of his conquest. Suddenly all about us was a crowd of Brahmins, appearing from what dark corners we could not discover. They looked nasty and half asleep, and vanished at once with a murmur of whispered speech that hung about the galleries in an echo.In the sacred tank, where Vishnu bathes when[Pg 165] he comes on earth, an old woman was standing pouring the stagnant green water over her body, while others of the faithful, seated on the steps, were piously drinking the stuff from a coco-nut that they handed round. In one corner of this pool was an exquisite bower of floating wreathsyellow, white, and violeta splash of bright colour on the squalid water.

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FORE:

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FORE:The old king is at once cured; he embraces his sons again and again. After this emotion the first thing he remarks is the new palace that has sprung from the ground exactly opposite his own.

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[Pg 244]For our noonday rest I took shelter under a wood-carver's shed. On the ground was a large plank in which, with a clumsy chisel, he carved out circles, alternating with plane-leaves and palms. The shavings, fine as hairs, gleamed in the sun, and gave out a scent of violets. The man, dressed in white and a pink turban, with necklaces and bangles on his arms of bright brass, sang as he tapped with little blows, and seemed happy to be alive in the world. He gave us permission to sit in the shade of his stall, but scorned to converse with Abibulla.PESHAWURTwo days later the roofs were covered with tulips of sheeny white and red, as light as feathers swaying on their slender stems; and the crowd, all in bright colours, went about in muslins in the clean, dry streets. Only a few very pious persons still wore the garments stained at the festival.
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