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76Wed better get that engine started, now. Dick left the grove.

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TWO:Come on, everybodyspread out cried Jeff. Well get that-there girl

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THREE:

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THREE:Painting, like architecture, was at a very low ebb during this period, with one or two brilliant exceptions. Foreign artists were in demand, and there was no native talent, except that of Thornhill and Hogarth, which could claim to be unjustly overlooked in that preference. Sir Peter Lely was still living, but Sir Godfrey Kneller, another foreigner, was already taking his place. Kneller was a German, born at Lübeck, and educated under the best Flemish masters of the day. As he had chosen portrait-painting as his department, he hastened over to England after a visit to Rome and Venice, as the most profitable field for his practice, and being introduced to Charles II. by the Duke of Monmouth, he became at once the fashion. Kneller had talents of the highest order, and, had not his passion for money-making been still greater, he would have taken rank with the great masters; but, having painted a few truly fine pictures, he relied on them to secure his fame, and commenced an actual manufacture of portraits for the accumulation of money. Like Rubens, he sketched out the main figure, and painted the head and face, leaving his pupils to fill in all the rest. He worked with wonderful rapidity, and had figures often prepared beforehand, on which he fitted heads as they were commissioned. Sir John Medina, a Fleming, was the chief manufacturer of ready-made figures and postures for him, the rest filled in the draperies and backgrounds. Kneller had a bold, free, and vigorous hand, painting with wonderful rapidity, and much of the grace of Vandyck, but only a few of his works show what he was capable of. The beauties of the Court of William and Mary, which may be seen side by side with those of the Court of Charles II. by Lely at Hampton Court, are far inferior to Lely's.

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THREE:

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THREE:

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THREE:

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THREE:Well, Sandy grinned, the chewing gum disappeared! Supposing the fellow we thought we saw vanishing really was there and got out some way. Hed know, from Jeff landing us and our going in, that the amphibian might not be usable when hed need it

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TWO:How do you know?

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THREE:Gnostic pessimism marks the extreme point of aberration to which Greek thought was drawn by the attraction of Oriental superstition. How it was rescued from destruction by a new systematisation of its ancient methods and results will be explained in another chapter.

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THREE:On extending our survey still wider, we find that the existence of a thing everywhere depends on its unity.462 All bodies perish by dissolution, and dissolution means the loss of unity. Health, beauty, and virtue are merely so many different kinds of harmony and unison. Shall we then say that soul, as the great unifying power in Nature, is the One of which we are in search? Not so; for preceding investigations have taught us that soul is only an agent for transmitting ideas received from a higher power; and the psychic faculties themselves are held together by a unifying principle for which we have to account. Neither is the whole sum of existence the One, for its very name implies a plurality of parts. And the claims of the Nous to that distinction have been already disproved. In short, nothing that exists can be the One, for, as we have seen, unity is the cause of existence and must therefore precede it.

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THREE:She told him that she did, quite as calmly. Her[Pg 148] manner and her tone said it was very unfortunate, that the whole episode was unfortunate, but that it was not her fault.

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TWO:We have now to show what new beliefs gained most ground, and what old beliefs were most successfully revived, through the combination of favourable conditions, an analysis of which has been attempted in the preceding pages. Among the host of creeds which at this period competed with one another for the favour of the rich or for the suffrages of the poor, there were some that possessed a marked advantage over their rivals in the struggle for existence. The worship of Nature considered as imaging the vicissitudes of human life, could not fail to be the most popular of any. All who desired a bond of sympathy uniting them with their fellow-subjects over the whole empire, and even with the tribes beyond its frontiers, might meet on this most universal ground. All who wished to combine excitement with devotion were attracted by the dramatic representation of birth and death, of bereavement and sorrow and searching, of purification through suffering, and triumphant reunion with the lost objects of affection in this or in another world. Inquisitive or innovating minds were gratified by admission to secrets a knowledge of which was believed to possess inestimable value. And the most conservative could see in such celebrations an acknowledgment, under other forms, of some divinity which had always been reverenced in their own home, perhaps even the more authentic reproduction of adventures already related to them as dim and uncertain traditions of the past. More than one such cultus, representing under the traits of personal love and loss and recovery, the death of vegetation in winter and its return to life in spring, was introduced from the East, and obtained a wide popularity through the empire. Long before the close of the republic, the worship of Cybele was established in Rome with the sanction of the Senate. Other Asiatic deities of a much less respectable character, Astarte and the so-called Syrian goddess, though not officially215 recognised, enjoyed a celebrity extending to the remotest corners of the western world.327 Still greater and more universal was the veneration bestowed on Isis and Serapis. From the prince to the peasant, from the philosopher to the ignorant girl, all classes united in doing homage to their power. Their mysteries were celebrated in the mountain valleys of the Tyrol, and probably created as much excitement among the people of that neighbourhood as the Ammergau passion-play does at present.328 An inscription has been discovered describing in minute detail an offering made to Isis by a Spanish matron in honour of her little daughter. It was a silver statue richly ornamented with precious stones, resembling, as our authority observes, what would now be presented to the Madonna,329 who indeed is probably no more than a Christian adaptation of the Egyptian goddess. And Plutarch, or another learned and ingenious writer whose work has come down to us under his name, devotes a long treatise to Isis and Osiris, in which the mythical history of the goddess is as thickly covered with allegorical interpretations as the statue dedicated to her by the Spanish lady was with emeralds and pearls.

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Well get enough to hop down the shore to a fuel supply, anyhow, Jeff said.Hooray! Dick slapped Sandys shoulder. The man higher up has come down to earth! Here comes Larry!At the instant a cloud floated over the sun, and soon a black bank began to fill up the sky above the ca?on. As they ate their breakfast in the tent, the morning darkened forebodingly. Felipa finished the big quart cup of weak coffee hurriedly, and stood up, pushing[Pg 99] back her camp-stool. Her horse and four others were waiting.
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