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FORE:As to the Comte de Beaujolais, he was fond of her, as all her pupils were, for she was extremely kind to them, but he hated and abhorred the principles which his father and she had succeeded in instilling into his brothers and sister, longed to fight for the King and Queen, and took the first opportunity when he met the Comte de Provence in exile to tell him so and make his submission; he had sent him messages of explanation and loyalty directly he could. For more than a year, then, there had been coldness and estrangement between the Duchess and Mme. de Genlis, who, of course, as usual, posed as an injured saint. What had she done? Why this cruel change in the affection and confidence of years? Had she not sacrificed herself to her pupils? Was she not the last person to alienate their affection from their illustrious and admirable mother? Did not all the virtues of her whole life forbid her being suspected or distrusted in any way?Paris seemed to be awaking into life again; the streets were more animated, the people to be seen in them were more numerous and did not all look either brutal or terror-stricken. Art, literature, and social gaiety began to revive.

FORE:The Empress was not in the least like what she had imagined. Short and stout, though exceedingly dignified, her white hair was raised high above her forehead, her face, still handsome, expressed the power and genius which characterised her commanding personality, her eyes and her voice were gentle, and her hands extremely beautiful. She had taken off one of her gloves, expecting the usual [126] salute, but Lisette had forgotten all about it till afterwards when the Ambassador asked, to her dismay, if she had remembered to kiss the hand of the Empress.

FORE:The great picture of Marie Antoinette and her three children, which under Napoleon had been hidden away in a corner at Versailles, was taken out and exhibited at the Salon, where every one crowded to look at it. Again she painted the portraits of the royal family, contrasting the simple, gracious politeness of the Duchesse de Berri, of whom she did two portraits, with the vulgar, pretentious airs of Caroline Murat.