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In the coppersmiths' street was a booth that seemed to be a school of art, where little fellows of seven or eight were engraving platters and pots with the decision of practised craftsmen.

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The front of the temple is covered with paintings. Decorations in the Persian style divide the panels, on which are depicted the principal scenes from the sacred books of the Brahmins. There are two perfect things to be seen here: two nude female figures standing, one white, the other brown, exquisitely refined in colouring, admirably drawn in a style reminding me of early Italian art; and then, just beyond these, tasteless imitations of chromosgoddesses with eyes too large and a simper like the advertisements of tooth-paste, and some horrible caricatures of English ladies in the fashion of ten years ago holding parasols like a nimbus.
Expose
ONE:Between the houses tiny garden-plots full of flowers surround gravestones, on which fresh roses are constantly laid.

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TWO:

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TWO:A great crowd round the bungalow and along the road, and a mass of sepoys and police, made Abibulla remark:

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TWO:Outside the palace is a large garden, devoid of shade, with pools of water bowered in flowers and shrubs that shelter myriads of singing birds. At the end of the park is a tank full of crocodiles. A keeper called the brutes, and they came up facing us in a row, their jaws open to catch the food which the Rajah amuses himself by throwing to them."How much for this stuff?"

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TWO:Making my way among the too numerous gods in relief against the overwrought walls heavy with carving, I came to a wonderful balcony where, in broken cages, I found the parrots that had betrayed me, and among them an exquisite pale yellow cockatoo of great rarity.

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TWO:Fields of betel pepper, broad-leaved and fleshy, carefully enclosed with matting, were watched over by two or even three men, armed with heavy cudgels.
FORE:One of the police in charge had a whip, and when he was leading away the old man, holding his chain he "played horses" with him, to the great amusement of the bystanders, and even of the old fellow himself.Bakaoli bewails her lover's departure, for which no one, not even her mother, can comfort her.

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FORE:To-day a religious festival; from the earliest hour everybody had donned new clothes, and in the [Pg 262]afternoon in the bazaar there was a masquerade of the lowest classembroidered dhotis, white robes, light-coloured turbans displaying large discs of green, red or blue. The men, even old men, ran after each other with bottles of coloured water, which they sprinkled far and near. One indeed had neither more nor less than a phial of violet ink, which, on the face and hands of a little black boy, shone with metallic lustre. One boy, in a clean garment, fled from a man who was a constant beggar from me, and who was pursuing him with some yellow fluid; and the fugitive was quite seriously blamed for disregarding the will of the gods and goddesses, whose festival it was.

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FORE:We could see the procession coming straight up a hollow ravine from the valley to the Dokma, a path that none but Parsees are allowed to tread;[Pg 31] eight bearers in white, the bier also covered with white, and, far behind, the relations and friends of the dead, all robed in white, two and two, each pair holding between them a square of white stuff in sign of union. They came very slowly up the steps of the steep ascent with a measured chant, in muffled tones, on long-drawn vowels. And from the surrounding trees, from far and near, with a great flutter of wings, the vultures flew to meet the corpse, darkening the sky for a moment.Under an arcade, lightly tinted with faded colours, and supporting a heavy stone roof elaborately carved, a marble bull stands facing the well which Vishnu touched when he came down from heaven. This is the Court or Well of Wisdom.

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FORE:The four sons of the king presently come to a town. They ring at the door of a house inhabited by a woman who, as the little English translation tells us, carries on a foul trade, and Dilbar the dancing-girl appears.

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FORE:

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FORE:Close to us on each level spot of the scarped rock was a little fortified look-out where three or four soldiers kept watch, with here and there a larger tower, reached only by a ladder, and in these six or eight men.

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FORE:

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FORE:In one tent there was a display of innumerable gilt images, very suggestive of Jesuit influencemincing, chubby angels, martyrs carrying palm-branches, and ecstatic virgins with clasped hands, all serving to decorate the shrine in which the god was to be carried back to the temple. Coloured fires lighted the workmen, and in the background the temple was darkly visible, with only a few dim lamps shrouded in incense, and burning before Rama, whose festival was being kept.This morning, at Peshawur, down come the police on my houseboatthree of themand their leader explains matters. Abibulla interprets.

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FORE:"Can you suppose I should have insulted you by coming here without asking you some favour?"In this house abode the postmaster of the Persian mails, and I wanted to register a letter for Cabul.

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TWO:At a short distance from Toglackabad, on a solitary rock, stands a square building of massive architecture, sober in outline, and crowned by a stone dome. It dwells alone, surrounded by walls; the mausoleum of Toglack, containing his tomb with that of his wife and his son, Mohammed the Cruel.

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THREE:And on the man's replying that he would try, the sultan, who chose that the monument should have no rival, caused the architect to be thrown into the Jumna on the spot, where he was dashed to pieces at the foot of his masterpiece, which remains unique.

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THREE:In the evening calm, the silence, broken only by the yelling of the jackals, weighed heavy on the spirit; and in spite of the twinkling lights and the village at our feet, an oppressive sense of loneliness, of aloofness and death, clutched me like a nightmare.The two chairs are now placed side by side, and the priest goes on chanting his prayers to a slow measure, in a nasal voice that is soon lost again in the chatter of the bystanders. Rice is once more shed over the couple, and incense is burnt in a large bronze vessel, the perfume mingling with that of the jasmine wreaths on the walls.

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THREE:All the sick were sudras, Hindoos of the lowest caste. All the rest, Brahmins, Kshatriyas, Vaisiyas, would rather die at home, uncared for, than endure the promiscuous mixture of caste at the hospital, and contact with their inferiors. Even the sudras are but few. There is an all-pervading dread of a hospital, fostered by Indian bone-setters and sorcerers, stronger even than the fear of the pestilence; the people hide themselves to die, like[Pg 33] wounded animals, and their relations will not speak of an illness for fear of seeing anybody belonging to them taken to the hospital.[Pg 201]

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THREE:
TWO:"You know it is pashmina?"Inside, the walls are panelled with mosaic of carnelian and chalcedony, representing poppies and funkias, so fragile-looking, so delicate, that they seem real flowers blooming in front of the marble. And marble screens, carved into lace-work, filling the high doorways and the windows, admit a tender amber-toned light.

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The gardens are overgrown with exuberant tropical vegetation: orchids, daturas hung with their scented purple bells, gardenias and creepers; and yet what the brother of a London friend, on whom I am calling, shows me with the greatest pride, are a few precious geraniums, two real violets, and a tiny patch of thickly-grown lawn of emerald hue.In the distance we heard a sound of pipes, and the merchant hastened out to call the nautch-girls, who began to dance in the street just below us, among the vehicles and foot-passengers. There were two of them; one in a black skirt spangled with silver trinkets, the other in orange and red with a head-dress and necklace of jasmine. They danced with a gliding step, and then drew themselves up with a sudden jerk that made all their frippery tinkle. Then the girl in black, laying her right hand on her breast, stood still, with only a measured swaying movement of her whole body, while the dancer in yellow circled round, spinning as she went. Next the black one performed a sort of goose-step with her feet on one spot, yelling a so-called tune, and clacking her anklets one against the other. Then, after a few high leaps that set her saree flying, the dance was ended; she drew a black veil over her head, and turned with her face to the wall. The other boldly asked for backsheesh, held up her hands, and after getting her money, begged for cakes and sugar.Shortly before sunset the dastour arrivesthe high priestin white, with a white muslin turban[Pg 15] instead of the wax-cloth cap worn by other Parsees.
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