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Inside the building, under a silken Persian rug, stretched like an awning, there were piles of coin on a cloth spread on the ground, with flowers, rice, and sweetmeats offered there. In a recess was a band of musicians��tom-toms and fiddles��scarcely audible in the turmoil of shouted prayers and the chatter of the faithful.

ONE:In the forecourt a cast-metal nymph presides over a sham-bronze fountain.The subterranean passage leading from the empress's rooms to the mosque, has in the roof a thick flagstone that admits a subdued glimmer as through amber or honey, lighting up all one end of the dark corridor. TWO:Only one entrance to the temple remains, built of polished red stone mingled harmoniously with marble, toned by time to a warm golden hue almost rose-colour. All the profusion of Indian design is lavished on this gateway framing the marvel erected by Pal. Tangles of interlacing letters incised and in relief, mingling with trails of flowers as lissom as climbing plants, and supporting figures of gods; while a fine powdering of white dust over the dimmed warm yellow of marble and sandstone softens yet more the carved flowers and sinuous patterns, amid which the images sit in tranquil attitudes.

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THREE:Even more than the assembly of their relatives and friends, the prisoners at the bar maintained the impassive mien of men who attach no disgrace to a sentence pronounced by a conquering race; they would take the penalty without a murmur, as one of the inevitable incidents of this life, which to them is but a stage, a passage to a higher existence.

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THREE:While all this is going forward in the jungle, Bakaoli, disguised as an astrologer, comes to the king, to whom she promises the coming of the miraculous flower, and even while she is speaking the return of the four princes is announced.This morning, at Peshawur, down come the police on my houseboat��three of them��and their leader explains matters. Abibulla interprets.

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THREE:In another place two elephants of bright indigo, and some musicians all green, with red parrots on their wrists, are painted on the walls of a hall where the prayer-bell is incessantly tolled. Here many worshippers were prostrate. An idol, flanked by two statues on guard in stiff hieratic attitudes, was almost hidden under gold chains and a crown of inordinate splendour, while a priest, wearing only a loin-cloth, stood calmly sluicing the white plaster and putting the god through his toilet, sometimes splashing the congregation.At night, when the fog had at last cleared off, a column of fire was piled up on the engine; it shone[Pg 154] on the smooth trunks of the "flame of the forest," which looked like the pillars of a cathedral, on the sparkling water-springs all hung about with prayer-strips, on the veronica shrubs covered with flowers and as tall as trees, and the sheaves of bamboo and fern; or it lighted up the hanging screen of creepers, the impenetrable jungle growth that shut in the silence of the sleeping forest.

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ONE:In the afternoon the Rajah wore a pale green dress embroidered with gold and gems, and sparkling with stones, and a wide rose-coloured sash fringed with pearls. He wore no jewels but priceless diamond buckles in his shoes. As I had lingered long in the morning at a jeweller's shop, the prince wished to show me his possessions. Servants, as solemn as gaolers, brought in many trays covered[Pg 83] with enormous emeralds cut into beads and strung on white cords, necklaces of pear-shaped pearls threaded on almost invisible silk. And then, from among the goldsmith's work, modelled into impossible flowers and chimeras twisted to make heavy anklets, from among coat-buttons, rings and sword-guards sparkling with diamonds, the Rajah took up a costly snuff-box and begged me keep it as a remembrance.The Cingalese women, of languid gait, wear a long dark robe clinging about their legs and reaching to the ground. The poorer women have only a scanty saree to complete the costume; the more wealthy display stockings and boots; a white bodice cut low, with open sleeves and no basque leaves a roll of skin visible between the skirt and the bodice. The men wear a long loin-cloth of English trouser-stuff, a white jacket buttoned over the bare skin, and a twist of back hair like a woman's, in which they stick a celluloid comb, coronet-fashion��such a comb as is used in Europe[Pg 125] to keep the hair back from a child's forehead. And all the race are too slender, too pliant, their eyes too long and slightly darkened with kohl; the boys especially have an unpleasant, ambiguous look.

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THREE:

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THREE:The gateway looks as if it had been carved by the dints of bullets in the stone, and close by, a breach in the huge enclosing wall scored all over by shot gave ingress to the murderous host. Inside,[Pg 189] on the walls that are left standing, and they are many, the bullets seem to have scrawled strange characters. In the bath-house with its graceful columns and arabesque ornaments, in Dr. Fayrer's house, of which the proportions remind us of Trianon, where Sir Henry Lawrence died among the ruins of the mosque��everywhere, we see tablets of black marble commemorating the numerous victims of the rebellion. In one barrack two hundred and forty-five women and children were murdered; in another forty-five officers were buried in the ruins. And close by the scene of carnage, in a smiling cemetery, their graves hidden in flowers, under the shadow of the English flag that flies from the summit of the ruined tower which formerly commanded the country round, sleep the nine hundred and twenty-seven victims of Nana Sahib's treachery.After the delay, which in India is a matter of course, the caravan set out��the last to go; for during the past three months no European had[Pg 247] crossed the pass, and in consequence of misunderstandings with some of the rebel tribes to the north, even the natives were prohibited henceforth from going to Cabul.

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THREE:Cymbals and kettle-drums formed the orchestra, reinforced by the shrill cries and strident laughter of the spectators.

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THREE:At the first ray of sunrise I went down to the temples, hewn out of the side of the hill and extending for above a mile and a quarter. Gigantic stairs are cut in the rock, and lead to caves enshrining immense altars, on which Buddha or other idols of enormous size are enthroned. Hall after hall is upheld by carved pillars. Bas-reliefs on the walls represent the beatitudes of Krishna surrounded by women, or the vengeance of Vishnu the terrible, or the marriage of Siva and Parvati; while on the flat roof, on the panels and architraves��all part of the solid rock��there is an endless procession of Krishnas and Vishnus, on a rather smaller scale, producing utter weariness of their unvaried attitudes and beatific or infuriated grimacing.

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ONE:Near a temple some bells and tom-toms animated the silence with their clang and clatter. Worshippers stole in noiselessly, barefoot on the stones, and entered the sanctuary, within which tapers were burning.[Pg 27]

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FORE:Above a large fan-palm the pale fronds of a talipot soar towards the sky, gracefully recurved like enormous ostrich plumes. A fluff, a down, of flowers clings to the stems of the magnificent crest, a delicate pale cloud; and the broad leaves of the tree, which will die when it has blossomed, are already withering and drooping on the crown. Then, in the clearings made by the recent decay of such a giant, falling where it had stood, and crushing the bamboos and ph?nix that grew round its foot, the flowers sprang in myriads��great sunflowers, shrubs of poinsettia, with its tufts of red or white bracts at the end of a branch of green[Pg 132] leaves, surrounding a small inconspicuous blossom, and tall, lavender-blue lilies.

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Then two children, their pretty, fresh voices in unison, sang some womanly songs, languishing ballads, swinging to a very indefinite rhythm, and suggestive of slow dances and waving gauze scarves in flowery gardens under the moonlight.In another building is the hall where the dastours say the last prayers over the dead in the presence of the relations; the body is then stripped in a consecrated chamber and abandoned to the mysteries of the tower.A little way off an old man was wrapping the naked body of a poor woman in a white cloth; then he fastened it to two poles to dip it in the river; finally, with the help of another Sudra, he laid the corpse on a meagre funeral pile, and went off to fetch some live charcoal from the sacred fire which the Brahmins perpetually keep alive on a stone terrace overlooking the Ganges. He carried the scrap of burning wood at the end of a bunch of reeds, and, praying aloud, walked five times round the pyre, which completely concealed the body. Then he gently waved the bunch of reeds, making them blaze up, and placed them beneath the wood, which slowly caught fire, sending up dense curling clouds of white vapour and slender tongues of flame, creeping along the damp logs that[Pg 167] seemed to go out again immediately. But suddenly the fire flared up to the top of the pile; the flesh hissed in the flame, and filled the air with a sickening smell.

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