TWO:In reading the history of these events one cannot help feeling that all one¡¯s sympathy is for Marie Antoinette and her children, but that a King whose conduct was so despicable, who shrank from shedding the blood of infamous traitors and murderers, while he allowed them to massacre his faithful soldiers and friends, was not worth dying for.
THREE:The Duc d¡¯Ayen, though always retaining a deep affection for his wife, spent a great part of his time away from her. He was one of the most conspicuous and brilliant figures at the court, and besides entering eagerly into all its pleasures, dissipation, and extravagance, was a member of the Academy of Science; and although by no means an atheist or an enemy of religion, associated constantly with the ¡°philosophers,¡± whose ideas [164] and opinions he, like many of the French nobles in the years preceding the Revolution, had partly adopted, little imagining the terrible consequences that would result from them.
THREE:PAULINE was so ill after this that her husband took her and their remaining child to Aix-les-Bains, and then to their chateau of Plauzat in Auvergne, a curious, picturesque building, part of which dated from the twelfth or thirteenth century, which dominated the little town of the same name, and was surrounded by the most beautiful country.The last at which Mme. Le Brun was present was the Mariage de Figaro, played by the actors of the Com¨¦die Fran?aise; but, as she observes in one of her letters, Beaumarchais [26] must have intolerably tormented M. de Vaudreuil to induce him to allow the production of a piece so improper in every respect. Dialogue, couplets, all were directed against the court, many belonging to which were present, besides the Comte d¡¯Artois himself. Everybody was uncomfortable and embarrassed except Beaumarchais [27] himself, who had no manners and [63] was beside himself with vanity and conceit, running and fussing to and fro, giving himself absurd airs, and when some one complained of the heat, breaking the windows with his stick instead of opening them.
THREE:When the Empress returned from Czarskoiesolo she desired Mme. Le Brun to paint the portraits of the Grand Duchesses Alexandrine and Helena, daughters of the Tsarevitch, then fourteen and thirteen years old, and afterwards that of the Grand Duchess Elizabeth, wife of Alexander, eldest grandson of the Empress, the young girl she had [134] seen on her first visit to Czarskoiesolo, by whom she was completely fascinated.
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