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FORE:The strange figure was flapping his ears��flapping them violently backwards and forwards, with an almost inconceivable rapidity!"His name is Oliver."

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FORE:To-day as he finished the perusal of these most satisfactory renderings of last month��s accounts, Keeling felt that he had arrived at a stage, at a plateau on the high upland of his financial prosperity. It stretched all round him sunny and spacious, and he had no doubt in his own mind as to whether it had not been worth while to devote thirty years of a busy life in order to attain it. The reward of his efforts, namely, the establishment of this large and remunerative business, and the enjoyment of an income of which a fifth part provided him with all that he could want in the way of material comfort and complete ease in living, seemed to him a perfectly satisfactory return for his industry. But as far as he could see, there was no further expansion possible in Bracebridge: he had attained the limits of commercial prosperity there, and if he was to devote his energies, now still in their zenith to a further increase of fortune, he knew that this expansion must take the form of establishing fresh branches of business in other towns. He did not for a moment doubt his ability to succeed elsewhere as he had succeeded here, for he had not in the course of his sober industrious life arrived at any abatement of the forces that drive an enterprise to success. But to-day the doubt assailed him as to whether it was worth while.

FORE:"The orchestra furnishes music by means of the guitar, or 'samisen.' It is played something like our guitar, except that a piece of ivory is used for striking the strings, and is always used in a concert that has any pretence to being properly arranged. There are two or three other instruments, one of them a small drum, which they play upon with the fingers; but it is not so common as the samisen, and I don't think it is so well liked. Then they have flutes, and some of them are very sweet, and harmonize well with the samisen; but the singers do not like them for an accompaniment[Pg 235] unless they have powerful voices. The samisen-players generally sing, and in the theatres the musicians form a part of the chorus. A good deal of the play is explained by the chorus; and if there are any obscure points, the audience is told what they are. I remember seeing the same thing almost exactly, or, at any rate, the same thing in principle, in the performance of "Henry V." at a theatre in New York several years ago, so that this idea of having the play explained by the chorus cannot be claimed as a Japanese invention.��Evensong at half-past!�� he said. ��Blow evensong! There!��

234/JK , The Wondre Land,
Newyork Street Junction
JUST USA -10909094

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