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In the afternoon the Minister came to take us to the palace. The Rajah, with his cousins, met us at the[Pg 66] foot of the grand staircase; a detachment of sowars were on guard. With great ceremony, preceded and followed by an army of officials and attendants, we went up to a room where a silver throne, inlaid with gold, of exquisite workmanship, between two armchairs of massive silver, looked quite out of keeping with gilt wood chairs with tapestry seats, and the everlasting Brussels carpet of poor and glaring design. On the various tables was the latest trumpery from Oxford Streetplush frames and varnished wooden screens; a shower of glass lustres hung from the ceiling.

 
ONE:That evening, near the temple where the god, having left the tank, was receiving the flowers and scents offered by his votaries, there was howling and yelling from the crowd of Hindoos, all crushing and pushing, but going nowhere. And louder yet the noise of the tom-toms, which the musicians raised to the desired pitch by warming them in front of big fires throwing off clouds of acrid smoke.
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TWO:One mosque alone, a marvel of workmanship, its stones pierced with a thousand patterns, remains intact amid the Indian dwellings built, all round the sacred spot, of the remains of ancient magnificence, of which, ere long, nothing will be left standing.

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TWO:In the chief temple, whose walls were painted all over, a huge Buddha of gold and silver was hidden under wreaths of flowers round his neck, and a diadem of flowers on his brow, where blazed a luminous diamond; and flowers were arranged in a canopy over his head, and were strewn like a carpet on the steps of the shrine.Along the line were hedges of glaucous aloes, of[Pg 106] gynerium all plumed with white, and over every plant an inextricable tangle of baja, its pink flowers hanging in bunches.
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FORE:

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FORE:By the side of the Manumenka stand two stel?, on which two carved figures, represented as surrounded by flames, preserve the memory of the time when the funeral pyre consumed the living wife with the dead husband.Then, on the right, endless pools and rivers; naked men were ploughing in the liquid mud and splashed all over by the oxen drawing a light wooden plough, their bronze bodies caked ere long with a carapace of dry, grey mud.

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FORE:[Pg 232]

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FORE:Next came a whole row of very small shops, where there was an endless variety of trifles for sale, toys made of wood painted red and green; and finally, on the ground floor of houses ornamented with carvings and slender colonnades, in a cool and shady and silent street, were the sellers of silk and cloth.The crimson sky seen above the tall coco-palms turns to pink, to pale, vaporous blue, to a warm grey that rapidly dies away, and almost suddenly it is night.

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FORE:At the polo-match in the evening the band played, and three ladies were present; in sign of the spring having come, a basket was hung to the branch of a tree, full of straw kept constantly wet by the coolies, and containing sundry bottles of soda-water.At Byculla in the evening we went to Grant Road, the haunt of the street beauties, where the gambling-houses are. At the open windows under the lighted lamps were coarsely-painted women dressed in gaudy finery. In the entries were more of such women, sitting motionless in the attitude of idols; some of them real marvelsthin, slender bronze limbs scarcely veiled in dark, transparent gauze, gold rings round their neck and arms, and heavy nanparas on their ankles.

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TWO:Ekkas, and chigrams closed with thick curtains, came galloping past with loud cries from within. All was noise and a shifting of many colours, seeming more foolish here, in this large island, with its deserted avenues of tall trees, than anywhere else.
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THREE:
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THREE:And under an arcade priests were hanging the shrine with wreaths of pink and yellow flowers, in preparation for its nocturnal progress, while an old woman, all alone, was bathing in the tank, with much splashing and noise of waters.
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THREE:A little way off, in the burning sandy plain, is a pagoda sacred to the pigeons. Lying as close as tiles, in the sun, they hide the roof under their snowy plumage. Round pots are hung all about the building, swaying in the wind, for the birds to nest in, a red decoration against the russet stone; each one contains an amorous and cooing pair.A stone parapet runs along the river road, and below it the grassy bank slopes gently to the clear and limpid stream of the Ganges. On the shores[Pg 141] of the sacred river fine trees overshadow many idols, and fresh flowers are constantly laid at their feet.
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TWO:
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TWO:A dark street corner where there were no shops. Under a canopy constructed of four bamboos thatched with straw, a young man in a light-coloured dhoti was sitting on a low stool; about him were women singing. Presently one of them came forward, and dipping her fingers into three little copper pots that stood on the ground in front of the youth, she took first oil, then a green paste, and finally some perfume with which she touched seven spotsthe lad's feet, knees, shoulders, and turban. Then she wiped her fingers on the saree of the bridegroom's motherfor he was to be[Pg 252] married on the morrowwho was standing behind her son.
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The fort of Allahabad, the fort of the mutiny of 1857, is a complete citadel where, in the thickness of the walls, behind screens of acacia trees, lurk doors into palaces. Among the gardens there are clearings full of guns and ambulance waggons, and enormous barracks and huts for native soldiers. Then on the ponderous stonework of the ramparts rise little kiosks in the light Hindoo-Mussulman style, elaborate and slender, built by Akbar the [Pg 183]conqueror, who took Prayag and razed it, to build on the site a city dedicated to Allah. And now modern architecture is slowly invading it, adding to the flat walls which hide under their monotony the gems of stonework with their elegant decoration.KOHATAnd there are ruins all the way to Delhi, whither we returned by the old fortress of Purana Kila, with its pink walls overlooked by a few aerial minarets and more traces of graceful carving, the precursors of the Divan i Khas and Moti Musjid the Pearl Mosque.

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