THREE:Let us now see how he carries this passionate enthusiasm for knowledge into the humblest researches of zoology:"That's a clever question, miss," he said, "but I have a reply to it. We have found a woman near the docks where the unknown stayed for a day or two. As she cannot read or write she got him to write her a line or two to her landlord's agent, sending some arrears of rent and promising the balance shortly. That scrap of paper has come into my possession."
THREE:As might be expected, the Parmenidean paradoxes provoked a considerable amount of contradiction and ridicule. The Reids and Beatties of that time drew sundry absurd consequences from the new doctrine, and offered them as a sufficient refutation of its truth. Zeno, a young friend and20 favourite of Parmenides, took up arms in his masters defence, and sought to prove with brilliant dialectical ability that consequences still more absurd might be deduced from the opposite belief. He originated a series of famous puzzles respecting the infinite divisibility of matter and the possibility of motion, subsequently employed as a disproof of all certainty by the Sophists and Sceptics, and occasionally made to serve as arguments on behalf of agnosticism by writers of our own time. Stated generally, they may be reduced to two. A whole composed of parts and divisible ad infinitum must be either infinitely great or infinitely little; infinitely great if its parts have magnitude, infinitely little if they have not. A moving body can never come to the end of a given line, for it must first traverse half the line, then half the remainder, and so on for ever. Aristotle thought that the difficulty about motion could be solved by taking the infinite divisibility of time into account; and Coleridge, according to his custom, repeated the explanation without acknowledgment. But Zeno would have refused to admit that any infinite series could come to an end, whether it was composed of successive or of co-existent parts. So long as the abstractions of our understanding are treated as separate entities, these and similar puzzles will continue to exercise the ingenuity of metaphysicians. Our present business, however, is not to solve Zenos difficulties, but to show how they illustrate a leading characteristic of Greek thought, its tendency to perpetual analysis, a tendency not limited to the philosophy of the Greeks, but pervading the whole of their literature and even of their art. Homer carefully distinguishes the successive steps of every action, and leads up to every catastrophe by a series of finely graduated transitions. Like Zeno, again, he pursues a system of dichotomy, passing rapidly over the first half of his subject, and relaxes the speed of his narrative by going into ever-closer detail until the consummation is reached. Such a poem as the Achilleis of modern critics21 would have been perfectly intolerable to a Greek, from the too rapid and uniform march of its action. Herodotus proceeds after a precisely similar fashion, advancing from a broad and free treatment of history to elaborate minuteness of detail. So, too, a Greek temple divides itself into parts so distinct, yet so closely connected, that the eye, after separating, as easily recombines them into a whole. The evolution of Greek music tells the same tale of progressive subdivision, which is also illustrated by the passage from long speeches to single lines, and from these again to half lines in the dialogue of a Greek drama. No other people could have created mathematical demonstration, for no other would have had skill and patience enough to discover the successive identities interposed between and connecting the sides of an equation. The dialectic of Socrates and Plato, the somewhat wearisome distinctions of Aristotle, and, last of all, the fine-spun series of triads inserted by Proclus between the superessential One and the fleeting world of sense,were all products of the same fundamental tendency, alternately most fruitful and most barren in its results. It may be objected that Zeno, so far from obeying this tendency, followed a diametrically opposite principle, that of absolutely unbroken continuity. True; but the Eleatic Palamedes fought his adversaries with a weapon wrested out of their own hands; rejecting analysis as a law of real existence, he continued to employ it as a logical artifice with greater subtlety than had ever yet been displayed in pure speculation.18
THREE:I might rip them apartbut do you think robbers carry acids along to eat up emeralds if they think they are going to profit by taking them?It may be said that the One is itself a mystical conception, involving a reversal of all our ordinary beliefs. The universe is a vast multiplicity of objects, held together, if you will, by some secret bond of union possibly related to the personal unity of consciousness, but still neither lost nor confused in its identity. Precisely; but Plotinus himself fully admits as much. His One is the cause of existence, not existence itself. He knows just as well as we do, that the abstract idea of unity has no reality apart from the mind. But if so, why should he associate it, in the true mystical style, with the transports of amorous passion? The question is pertinent, but it might be addressed to other Greek systems as well. We must remember that Plotinus is only commenting and enlarging on Plato. In the Republic also, the Idea of Good is described as transcending the existence and the knowledge which it produces,465 and in the Symposium, the absolute self beautiful, which seems to be the Good under another name, is spoken of in terms not less passionately enthusiastic than any applied by Plotinus to the vision of the One.466 Doubtless the practical sense of the great Attic master did not desert him even here: the object of all thought, in its widest sweep and in its highest flight, is to find room for every possible expansion of knowledge, for every possible elevation of life. Plotinus was a stranger to such broad views; but in departing from Plato, as usual he follows Aristotle. The absolute self-thinking thought of the Stagirite is, when we examine it closely, only one degree less chimerical than the Neo-Platonic unification. For it means consciousness of self without the314 correlative consciousness of a not-self, and as such, according to Aristotle, it affords an eternal felicity equal or superior to the best and happiest moments of our sensitive human life. What Plotinus does is to isolate personal identity from reason and, as such, to make it at once the cause and the supreme ideal of existence. This involves two errors: first a false abstraction of one subjective phenomenon from the sum total of conscious life; and, secondly, an illegitimate generalisation of this abstraction into an objective law of things. But in both errors, Aristotle had preceded him, by dissociating reason from all other mental functions, and by then attributing the whole cosmic movement to the love which this isolated faculty of reason, in its absolute self-existence, for ever inspires. And he also set the example of associating happiness, which is an emotional state, with an intellectual abstraction from which emotion is necessarily excluded.
TWO:For the rest most houses in the market-place were on fire. Soldiers were billeted on one of the corner houses, and I was of course detained there, but released again, after having been requested to show up the francs-tireurs. I had to consider also where I might pass the night in this burning city? I asked an officer's consent to stay the night with the soldiers. He gave his permission if I could get the consent of the commanding officer, whom I might find at the station; he told me that he was sure to grant it.
TWO: