ONE:The Queen was in the habit of playing pharaon every evening, and on one occasion she noticed that M. de Chalabre, who kept the bank, whilst he was picking up the money of those who had lost, took advantage of a moment when he thought nobody was looking, to put a rouleau of fifty louis into his pocket.
TWO:
ONE:It was on the 27th of July, 1794, that she started on a journey to see her father, who was living in the Canton de Vaud, near the French frontier. For two nights she had not slept from the terrible presentiments which overwhelmed her. Young de Mun went with her, and having slept at Moudon, they set off again at daybreak for Lausanne. As they approached the end of their journey they were suddenly aware of a char--banc coming towards [243] them in a cloud of dust, driven by a man with a green umbrella, who stopped, got down and came up to them. It was the Duc dAyen, now Duc de Noailles, but so changed that his daughter scarcely recognised him. At once he asked if she had heard the news, and on seeing her agitation, said hastily with forced calmness that he knew nothing, and told M. de Mun to turn back towards Moudon.It was decided that the three sisters should meet at Viane, where Pauline and her husband went, with post-horses provided by Mme. de Tess. It was eight years since Pauline and Rosalie had met, and Pauline said it was a foretaste of Heaven.
TWO:The position was changed indeed since their first meeting, when, unknown and unconsidered, he was invited, in a manner that could scarcely be called complimentary, to criticise the portrait of the beautiful, fashionable woman who now stood before him as lovely as ever, her face pale, and her soft dark eyes raised anxiously to his, but without any symptom of terror.
ONE:Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.
TWO: