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The tone of society was entirely different during the Restoration from that of the Empire. The lavish expenditure in entertainments, dress, and daily life was no longer the fashion. An expensive toilette at any but a very great festivity was no longer correct, and even at court the extravagant splendour of the costumes of the Imperial court was not encouraged. The principal people were no longer those who possessed enormous fortunes which they were eager to spend; the [477] nobles and gentlemen whose names were the most distinguished at the court of Louis XVIII. being most of them nearly if not quite ruined.

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Pauline, who was very delicate, never took proper care of herself, and was always having dreadful trials, began by being very ill. When she was better they established themselves in a pretty cottage by the Thames at Richmond. But in a short time her husband, who hated emigrating, heard that the property of emigrants was being sequestrated, and in spite of his wifes remonstrances, insisted on returning to France, hoping to save his fortune; [228] and begging his wife to be prepared to rejoin him there if he should send for her when she had regained her strength.Alexis de Noailles, who had left France during the reign of Napoleon, entered Paris with the Comte dArtois; the King and the Duchesse dAngoulme received with distinguished favour those who had suffered so much in their cause; the Duc de Noailles came from Switzerland and took possession of the h?tel de Noailles, just vacated by the Arch-treasurer of the Empire.
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THREE:
THREE:
ONE:
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BY: ADMIN | 05.01.2013

TWO:Here was a terrible position. They had no maid, the manservant was a new one, the servants of the inn could do nothing to help as the inn was crowded; they could not get a doctor till the evening, or a nurse for four days. Mme. de Genlis, however, understood perfectly well how to treat them, and nursed them till they recovered.Among the numbers of men who made love to her more or less seriously, two were especially conspicuous, [271] the Prince de Listenay and the Marquis de Fontenay.

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BY: ADMIN | 05.01.2013

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BY: ADMIN | 05.01.2013

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THREE:

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THREE:CHAPTER VICHAPTER VIII

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THREE:But her first impressions were very painful, notwithstanding her emotion when first she heard the people around her speaking French, saw the towers of Notre Dame, passed the barrire, and found herself again driving through the streets of Paris.

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THREE:Yes, my dear son, said the King, making use for the first time of that paternal expression; I know as well as you do that this abb is not well-disposed towards us; but can I take him away from [279] a young woman whom he has educated, [89] and who requires somebody to confide in? Besides, she might choose worse; he is a man without personal ambition, religious and upright, in spite of his leaning to the House of Austria. It will be the Dauphins business to keep him within proper limits; and now I have warned you about what made me most uneasy I feel more satisfied, for I desire above all things that the peace of my family should never be troubled.

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E. H. BearneWhen the Restoration took place and her father returned she devoted herself to him during the rest of his life; and as her first husband returned too and had an appointment in the household of Louis XVIII., she was always liable to meet him as well as her second husband in society.Mme. de Valence, daughter of Mme. de Genlis came to them at Tournay, but very soon had to hurry back to France as the Austrian army was coming up.The Duke took her back to Lowernberg, where M. de Mun, who had preceded them, had already taken the fatal news to Mme. de Tess. She received her brother and niece with transports of grief and affection, and did everything she could to comfort them. The list of victims in the paper from Paris contained the names of the Marchal de Noailles, the Duchesse dAyen and the Vicomtesse de Noailles, but it was some time before they could get any details.The great picture of Marie Antoinette and her three children, which under Napoleon had been hidden away in a corner at Versailles, was taken out and exhibited at the Salon, where every one crowded to look at it. Again she painted the portraits of the royal family, contrasting the simple, gracious politeness of the Duchesse de Berri, of whom she did two portraits, with the vulgar, pretentious airs of Caroline Murat.
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