TWO:With these and all the different relations of her husband, Mme. dAyen lived in the greatest harmony, [176] especially with his sister, the Duchesse de Lesparre, a calm, holy, angelic woman after her own heart.What for?
TWO:When she had painted the head and sketched out the arms and figure, Mme. Le Brun was obliged to go to Paris. She intended to come back to finish her work, but she found the murder of Foulon and Berthier had just taken place, and the state of [77] affairs was so alarming that her one object was to get out of France. The portrait fell into the hands of Count Louis de Narbonne, who restored it to her on her returnwhen she finished it.
TWO:At first all went on prosperously. The Marquis de Fontenay did not belong to the haute noblesse, but his position amongst the noblesse de robe was good, and his fortune was at any rate sufficient to enable Trzia to entertain lavishly, and to give [272] ftes which caused a sensation even at Paris, while her beauty became every day more renowned.
TWO:After a time a governess was engaged for her, a certain Mlle. de Mars, a young girl of sixteen, whose chief instruction was in music, in which she excelled, but beyond the catechism and a few elementary subjects, knew little or nothing. She was a gentle, devout, sweet-tempered girl, and Flicit soon became passionately attached to her, and as her mother, occupied with her own pursuits and paying and receiving visits, troubled herself very little about the studies of her daughter, the child was left almost entirely to Mlle. Mars and the maids, who, however, were trustworthy women and did her no harm, beyond filling her head with stories of ghosts with which the old chateau might well have been supposed to be haunted. M. de Saint-Aubin kept a pack of hounds, hunted or fished all day, and played the violin in the evening. He had been in the army, but had resigned his commission early in consequence of some foolish scrape.